When their ship crash-lands on a remote planet, the marooned passengers soon learn that escaped convict Riddick isn't the only thing they have to fear. Deadly creatures lurk in the shadows, waiting to attack in the dark, and the planet is rapidly plunging into the utter blackness of a total eclipse. With the body count rising, the doomed survivors are forced to turn to Riddick with his eerie eyes to guide them through the darkness to safety. With time running out, there's only one rule: Stay in the light.
Production | Tom Engelman | Producer |
Camera | David Eggby | Director of Photography |
Writing | Ken Wheat | Screenplay |
Writing | Jim Wheat | Screenplay |
Editing | Rick Shaine | Editor |
Directing | David Twohy | Director |
Sound | Graeme Revell | Music |
Sound | Michael Axinn | Assistant Sound Editor |
Sound | Rod Conder | Boom Operator |
Art | Chris Geissman | Painter |
Sound | Tim Simonec | Orchestrator |
Crew | Jonathan Bader | Thanks |
Production | Anne McCarthy | Casting |
Production | Mary Vernieu | Casting |
Costume & Make-Up | Anna Borghesi | Costume Design |
Production | Tony Winley | Executive Producer |
Writing | David Twohy | Screenplay |
Production | Scott Kroopf | Executive Producer |
Production | Ted Field | Executive Producer |
Directing | Jamie Crooks | First Assistant Director |
Art | Stephen Hay | Painter |
Sound | Samuel H. Hinckley | Sound Effects Editor |
Writing | Jason Brubaker | Storyboard |
Art | Martin Ash | Set Designer |
Camera | Brad Shield | Steadicam Operator |
Crew | Cameron Curphey | Studio Teachers |
Costume & Make-Up | Keryn Ribbands | Costume Supervisor |
Costume & Make-Up | Scott McMaster | Set Dressing Artist |
Crew | Allan Mowbray | Armorer |
Visual Effects | Peter Chiang | Visual Effects Supervisor |
Editing | Dan Muscarella | Color Timer |
Crew | David Tremont | Propmaker |
Production | Sue MacKay | Unit Production Manager |
Production | Barrie Hemsley | Production Coordinator |
Art | Ian Gracie | Art Direction |
Art | Daryl Porter | Leadman |
Camera | Sean Barnes | Still Photographer |
Crew | Karen Dimmig | Visual Effects Editor |
Art | Graham 'Grace' Walker | Production Design |
Art | Mark Stephens | Construction Foreman |
Crew | Fiona Searson | Unit Publicist |
Art | Katie Nott | Art Department Coordinator |
Art | Jim Millett | Assistant Art Director |
Art | John Rann | Construction Coordinator |
Crew | Graham Stumpf | Post Production Supervisor |
Art | Michael Rumpf | Set Decoration |
Crew | Peter Thompson | Legal Services |
Crew | Chris Anderson | Stunt Coordinator |
Sound | Robert Shoup | Supervising Sound Editor |
Costume & Make-Up | Carolyn Nott | Hairstylist |
Production | Michelle Wright | Executive In Charge Of Production |
Production | Campbell McLean | Location Manager |
Sound | Tom Myers | Sound Designer |
Art | Wayne Truce | Standby Painter |
Editing | Andrew Blustain | First Assistant Editor |
Crew | David C. Hughes | Sound Design Assistant |
Sound | Joshua Winget | Music Editor |
Visual Effects | Brian Cox | Special Effects Supervisor |
Writing | Jim Wheat | Story |
Sound | Marilyn McCoppen | ADR Editor |
Production | Chris Robson | Production Accountant |
Lighting | Adam Williams | Best Boy Electric |
Editing | Danny Candib | Assistant Editor |
Sound | Lora Hirschberg | Sound Re-Recording Mixer |
Writing | Ken Wheat | Story |
Camera | Leigh Tait | Grip |
Sound | Scott Guitteau | Assistant Sound Editor |
Production | Ann Robinson | Local Casting |
Camera | Henry Pierce | Camera Operator |
Sound | James Lebrecht | Sound Effects Editor |
Costume & Make-Up | Maree McDonald | Makeup Artist |
Lighting | Tony Holtham | Gaffer |
Art | Tony Lees | Sculptor |
Costume & Make-Up | Jason Baird | Prosthetic Makeup Artist |
Directing | Peter McLennan | Third Assistant Director |
Sound | E. Larry Oatfield | Sound Effects Editor |
Art | Jacinta Leong | Set Designer |
Costume & Make-Up | Margaret Stevenson | Hair Supervisor |
Editing | Cleo Myles | Assistant Editor |
Sound | Michael Semanick | Sound Re-Recording Mixer |
Camera | Derry Field | Camera Operator |
Sound | Mary Helen Leasman | Foley Editor |
Art | Chris Goddard | Standby Painter |
Camera | Brad Shield | Camera Operator |
Visual Effects | Patrick Tatopoulos | Creature Design |
Sound | Gary Dixon | Boom Operator |
Sound | Michele Perrone | ADR Editor |
Directing | Lyn Alice Aronson | Script Supervisor |
Sound | Beau Borders | Assistant Sound Editor |
Crew | Michael A. Helfant | Thanks |
Directing | Jennifer Rees-Brown | Second Assistant Director |
Costume & Make-Up | Margaret Stevenson | Makeup Supervisor |
Production | Freddy Luis | Casting Assistant |
Writing | Fireball Tim Lawrence | Storyboard |
Sound | Mary Works | Assistant Sound Editor |
Production | Wizzy Ringer | Casting Assistant |
Production | Carrie Campbell | Casting Assistant |
Directing | Kira Bohn | Continuity |
Costume & Make-Up | Julie Zahra | Costume Standby |
Production | Jennifer Cornwell | Production Coordinator |
Crew | Suzanne McAllister | Stand In |
Production | Nick McKinnon | Production Runner |
Crew | Raymond Leef | Stand In |
Production | Melanie Turner | Production Runner |
Production | Vampyre Wilson | Casting Associate |
Production | Angela Kenny | Accountant |
Production | Kerry Mulgrew | Production Secretary |
Crew | Wayne Williams | Stand In |
Directing | Karen Mansfield | Continuity |
Production | Lori Sier | Post Production Accountant |
Production | Leah Holmes | Post Production Accountant |
Production | Melaini Lewis | Production Secretary |
Production | Stephen Taylor | First Assistant Accountant |
Production | Michelle Russell | Production Coordinator |
Production | Darcy Yuille | Production Runner |
Crew | Dan O'Connor | Stand In |
Production | Arwen Munro | Production Secretary |
Production | Rowena Zande | Production Assistant |
Production | Ange Lavey-Manche | Production Secretary |
Crew | Peter Thompson | Legal Services |
Production | Terri Douglas | ADR Voice Casting |
Crew | Andrew Pantelis | Stand In |
Sound | Frank 'Pepe' Merel | Foley Recordist |
Sound | Tony Eckert | Foley Mixer |
Editing | Jo Anne Finan | Negative Cutter |
Sound | Roger Morris | ADR Mixer |
Sound | Paul Haslinger | Music Arranger |
Visual Effects | Steve Street | CG Artist |
Visual Effects | Paul Riddle | Digital Compositor |
Lighting | Robert Sassen | Chief Lighting Technician |
Directing | Angella McPherson | Second Second Assistant Director |
Camera | Nick Murray | Camera Trainee |
Lighting | Timothy 'Guido' Magaraci | Assistant Chief Lighting Technician |
Production | Lorisa D. Francis | Post Production Coordinator |
Crew | Patrick Carmiggelt | Special Effects Technician |
Camera | Daniel Clark | Clapper Loader |
Production | Jeremy 'JJ' Piggott | Assistant Unit Manager |
Crew | Brownyn Hookey | Catering |
Production | Eleonore Crompton | Production Accountant |
Directing | Michael Bate | Assistant Director |
Camera | John Balbi | Assistant Grip |
Visual Effects | Angie Wills | Digital Effects Producer |
Directing | Ian 'Thistle' Thorburn | Second Unit Director |
Lighting | Todd Carmody | Assistant Electrician |
Camera | Brett Matthews | Focus Puller |
Sound | Dennie Thorpe | Foley Artist |
Crew | Steve Rungwerth | Special Effects Assistant |
Camera | Rick Johnson | Best Boy Grip |
Sound | Graeme Revell | Conductor |
Sound | Lindakay Brown | Dialogue Editor |
Art | Beverley Dunn | Property Master |
Sound | Karen G. Wilson | Dialogue Editor |
Sound | Paul 'Salty' Brincat | Sound Recordist |
Sound | Gloria D'Alessandro | Dialogue Editor |
Writing | Brian Murray | Storyboard |
Camera | Adrien Seffrin | Focus Puller |
Camera | Ricky Schamburg | Clapper Loader |
Camera | Ian 'Thistle' Thorburn | Second Unit Director of Photography |
Camera | Jack Wareham | Camera Operator |
Camera | David Cordell | Clapper Loader |
Camera | Grahame Litchfield | Key Grip |
Crew | Clair Crowther | Dialect Coach |