An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.
| Directing | Anna Ambrose | Director |
| Writing | Anna Ambrose | Writer |
| Sound | Ronnie Leahy | Music |
| Crew | Ian Dobbie | Cinematography |
| Crew | Peter Harvey | Cinematography |
| Editing | Anna Ambrose | Editor |
| Editing | Charles Rees | Editor |
| Art | Miranda Melville | Art Direction |
| Costume & Make-Up | Bernie Brown | Makeup Department Head |
| Production | Hugh O'Donnell | Production Manager |
| Crew | Caroline Banks | Scenic Artist |
| Crew | Mary Hobden | Scenic Artist |
| Sound | Mick Audsley | Sound Recordist |
| Crew | Colin Martin | Mixing Engineer |
| Costume & Make-Up | Liz Dawson | Costume Design |
| Camera | Stephen Dwoskin | Camera Operator |
| Crew | Peter Harvey | Lighting Camera |
| Sound | Izzy Quail Jazz Combo | Music |
| Sound | Jay Langham | Music |
| Sound | Philip Silverstone | Music |
| Production | Margaret Williams | Production Supervisor |
| Sound | Larry Sider | Sound Editor |