Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his enemy, and what really happened the night that his brother died. Meanwhile, Reggie battles the spheres and the undead in a quest to find Mike before the Tall Man can complete his transformation.
You can now watch Phantasm IV: Oblivion online on the following streaming providers in the United States.
| Directing | Don Coscarelli | Director |
| Sound | Christopher L. Stone | Music |
| Production | A. Michael Baldwin | Producer |
| Editing | Scott J. Gill | Editor |
| Production | Don Coscarelli | Producer |
| Costume & Make-Up | Shelley Kay | Costume Design |
| Art | Kristen Deem | Property Master |
| Camera | Dan Trachtenberg | Key Grip |
| Camera | Colin Hudson | Steadicam Operator |
| Production | Starlet Derby | Production Assistant |
| Production | Sara McCaffree | Production Assistant |
| Art | Naython Vane | Production Design |
| Crew | Robin Berman | Compositor |
| Sound | Andy Potvin | Dolby Consultant |
| Camera | Scott Redinger-Libolt | Still Photographer |
| Production | Jason R. Savage | Production Coordinator |
| Lighting | Adam Janeiro | Chief Lighting Technician |
| Crew | Gary Beal | Pyrotechnician |
| Sound | Enzo Treppa | Sound Mixer |
| Costume & Make-Up | Soo-Jin Yoon | Makeup Department Head |
| Crew | Bob Ivy | Stunt Coordinator |
| Sound | Greg Louden | Foley Artist |
| Directing | Kristen Deem | Script Supervisor |
| Crew | Robert Tomaszewski | Telecine Colorist |
| Camera | Dan Ayers | Steadicam Operator |
| Editing | Jim J. Williams | Color Timer |
| Sound | Michael Kreple | ADR Supervisor |
| Costume & Make-Up | Soo-Jin Yoon | Hair Department Head |
| Camera | Justin Zaharczuk | Second Assistant Camera |
| Costume & Make-Up | Kristen Deem | Costumer |
| Sound | Paul Ratajczak | Sound Re-Recording Mixer |
| Sound | Steve Tushar | Sound Effects Editor |
| Sound | Paul Ratajczak | Sound Supervisor |
| Visual Effects | David Merrell | Lead Animator |
| Lighting | Daniel Vecchione | Best Boy Electric |
| Camera | Chris Chomyn | Director of Photography |
| Costume & Make-Up | Melanie Marangakis | Makeup Artist |
| Lighting | Peyton Skelton | Chief Lighting Technician |
| Production | David Sharlein | Production Assistant |
| Sound | Jon Lewin | Music Editor |
| Visual Effects | Alex Harman | 3D Animator |
| Crew | Kamar Bitar | Special Effects Coordinator |
| Sound | Stud Brentler | Boom Operator |
| Sound | Bryan Franklin | Dialogue Editor |
| Sound | Greg Mauer | Foley Recordist |
| Sound | Jonathan Wales | Sound Re-Recording Mixer |
| Sound | Greg Mauer | Foley Editor |
| Art | Mike Roth | Art Direction |
| Directing | Jeff Shiffman | First Assistant Director |
| Production | Christopher Malinowski | Production Assistant |
| Editing | Bobby Gates | Assistant Editor |
| Editing | Donald Milne | Assistant Editor |
| Sound | Michael Kreple | ADR Editor |
| Sound | Rick Owens | Foley Artist |
| Production | Rosa Gonzalez | Unit Production Manager |
| Camera | Joe Waistell | First Assistant Camera |
| Camera | Precy C. Betiong | First Assistant Camera |
| Crew | Chiz Hasegawa | Special Effects Coordinator |
| Sound | Jonathan Wales | Supervising Sound Editor |
| Writing | Don Coscarelli | Writer |
