In the heart of Istanbul's prison, Zakir controls the letters prisoners receive. His average day is spent between the censorship office, his colleagues and his evening writing class. For a writing assignment, he steals a photo from one of the letters, in which appears Selma, an inmate's wife. More than an inspiration, she becomes an obsession for Zakir. He observes her, makes up stories, and imagines the worst to the extent that he puts himself at great risk.
| Production | Judith Nora | Producer |
| Camera | Kerem Arıca | Second Assistant Camera |
| Production | Undine Filter | Producer |
| Production | Priscilla Bertin | Producer |
| Writing | Serhat Karaaslan | Writer |
| Sound | Martin Langenbach | Foley Artist |
| Sound | Marie Sabbah | Music Arranger |
| Production | Serkan Çakarer | Producer |
| Sound | Kai Tebbel | Supervising Sound Editor |
| Directing | Serhat Karaaslan | Director |
| Production | Thomas Král | Producer |
| Sound | Christoph Wieczorek | Foley Mixer |
| Editing | Kay Dombrowsky | Colorist |
| Camera | Meryem Yavuz | Director of Photography |