The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
Directing | Fenton Bailey | Director |
Production | Susan Shopmaker | Casting |
Production | Brad Simpson | Producer |
Sound | James Harry | Original Music Composer |
Directing | Randy Barbato | Director |
Writing | Fenton Bailey | Screenplay |
Production | Fenton Bailey | Producer |
Camera | Teodoro Maniaci | Director of Photography |
Production | Randy Barbato | Producer |
Writing | Randy Barbato | Screenplay |
Art | Laura Ballinger | Art Direction |
Production | Jon Marcus | Producer |
Art | Andrea Stanley | Production Design |
Art | Susan Ogu | Set Decoration |
Editing | Jeremy Simmons | Editor |
Production | Christine Vachon | Producer |
Camera | JoJo Whilden | Still Photographer |
Directing | Anthony Pettine | Script Supervisor |
Sound | Howard Paar | Music Supervisor |
Sound | Frederick Howard | Sound Effects Editor |
Sound | William Martel Jr. | Production Sound Mixer |
Sound | Robert Getty | Dialogue Editor |
Sound | Frank Gaeta | Supervising Sound Editor |
Sound | Antonio L. Arroyo | Sound Mixer |
Sound | Lance Brown | Sound Re-Recording Mixer |
Sound | Phyllis Ginter | Foley Artist |
Sound | Jed M. Dodge | Dialogue Editor |
Sound | Marilyn Graf | Foley Mixer |
Sound | Michael J. Fox | ADR Mixer |
Sound | Derek Marcil | Sound Re-Recording Mixer |
Costume & Make-Up | Michael Wilkinson | Costume Design |
Production | Charlie Dibe | Production Assistant |
Writing | James St. James | Novel |