The end of the Franco-Prussian war (1870-71) saw the birth of the panoramas of war, huge circular paintings depicting scenes of war, cruelty and desolation that were contemplated by thousands of spectators, a kind of inmersive static newsreels, a mass media prior to the era of mass media, a virtual reality on canvas.
| Writing | Rüdiger Mörsdorf | Writer |
| Editing | Christian Färber | Editor |
| Camera | Frédéric Nicolas | Drone Cinematographer |
| Production | Regis Caël | Producer |
| Sound | Rainer Schunack | Sound |
| Directing | Rüdiger Mörsdorf | Director |
| Sound | Boris Jöns | Sound |
| Sound | Samuel Brunel | Original Music Composer |
| Crew | Eric Babak | Additional Music |
| Sound | Antoine Dolibeau | Sound Mixer |
| Writing | Christian Monzinger | Idea |
| Sound | Antoine Dolibeau | Sound Editor |
| Sound | Frederic Zenner | Sound |
| Production | Chaoukat Diab | Production Director |
| Production | Christian Monzinger | Producer |
| Camera | Carlo Thiel | Camera Operator |
| Camera | Matthieu Deshais | Camera Operator |
| Camera | Ralf Klingelhöfer | Camera Operator |
| Camera | Stefan Kudzinski | Camera Operator |
