In 1960, a team of Israeli secret agents is deployed to find Adolf Eichmann, the infamous Nazi architect of the Holocaust, supposedly hidden in Argentina, and get him to Israel to be judged.
| Directing | Chris Weitz | Director |
| Writing | Matthew Orton | Writer |
| Production | Fred Berger | Producer |
| Production | Brian Kavanaugh-Jones | Producer |
| Production | Micaela Buye | Line Producer |
| Art | David Brisbin | Production Design |
| Production | Tom Daley | Associate Producer |
| Production | Ron Schmidt | Executive Producer |
| Production | Matt Charman | Executive Producer |
| Costume & Make-Up | Connie Balduzzi | Costume Design |
| Camera | Javier Aguirresarobe | Director of Photography |
| Production | Jason Spire | Producer |
| Editing | Pamela Martin | Editor |
| Production | Oscar Isaac | Producer |
| Art | Florencia Martin | Set Decoration |
| Costume & Make-Up | Florencia Grosso | Hairstylist |
| Sound | Noah Dunbar | ADR Recordist |
| Sound | Adam Kopald | Sound Effects Editor |
| Lighting | Chris Rodriguez | Lighting Artist |
| Production | Matthew E. Schneider | Post Production Coordinator |
| Crew | Nicolas Pollastri | Transportation Coordinator |
| Production | Peter Cummings | Researcher |
| Crew | Michael Wharton | CG Supervisor |
| Lighting | Ramón Cácceres | Best Boy Electric |
| Camera | Valeria Fiorini | Still Photographer |
| Sound | Steven Gizicki | Music Supervisor |
| Sound | Jean-Pascal Beintus | Orchestrator |
| Directing | Claudia Morgado Escanilla | Script Supervisor |
| Costume & Make-Up | Karina Camporino | Key Makeup Artist |
| Sound | Michael Miller | ADR Mixer |
| Visual Effects | Eduardo Puga | Special Effects Supervisor |
| Lighting | Sebastián Mendelberg | Rigging Gaffer |
| Directing | Ricardo Méndez Matta | First Assistant Director |
| Crew | Federico Ransenberg | Special Effects Coordinator |
| Camera | Ezequiel Cardoni | Grip |
| Costume & Make-Up | Lucia Marmorek | Costume Assistant |
| Editing | Patrick M. Allen | Digital Intermediate Producer |
| Production | Flor Colombatti | Production Coordinator |
| Art | Kendelle Elliott | Art Direction |
| Art | Rick Willoughby | Art Direction |
| Costume & Make-Up | Suzanne Stokes-Munton | Hair Department Head |
| Sound | Javier Farina | Sound Mixer |
| Visual Effects | Junyoung Han | Digital Compositor |
| Camera | Alejo Giles | Assistant Camera |
| Lighting | Javier Caña | Electrician |
| Lighting | José Cangelosi | Rigging Grip |
| Sound | Nicolas Charron | Orchestrator |
| Lighting | Daniel Ring | Electrician |
| Sound | Randy Singer | Foley Mixer |
| Sound | Ando Johnson | Sound Effects Editor |
| Sound | Lauren Hadaway | Supervising ADR Editor |
| Camera | Matías Mesa | Camera Operator |
| Costume & Make-Up | Soledad Muñiz | Assistant Costume Designer |
| Costume & Make-Up | Pilar Gonzalez | Key Costumer |
| Art | Michael Riley | Main Title Designer |
| Sound | Julián Catz | Boom Operator |
| Visual Effects | Robert J. Bruce | Compositing Supervisor |
| Visual Effects | John P. Nugent | Visual Effects Supervisor |
| Sound | Sylvain Morizet | Orchestrator |
| Production | Adrian Fiszbejn | Production Assistant |
| Costume & Make-Up | Jane Galli | Makeup Department Head |
| Sound | Rick Owens | Foley Artist |
| Sound | Giorgia Garcia-Moreno | Sound Assistant |
| Crew | Franco Burattini | Weapons Master |
| Camera | Enrique Vélez | Best Boy Grip |
| Camera | Ariel Vélez | Key Grip |
| Production | Vera Fabrykant | Post Production Coordinator |
| Art | Poli Marichal | Storyboard Artist |
| Lighting | Sergio Olmos | Rigging Grip |
| Crew | Max Pankow | Post Production Assistant |
| Art | Laura Martinez Corfield | Art Department Coordinator |
| Art | Mirella Hoijman | Assistant Property Master |
| Sound | Fernando Cornaglia | Sound Assistant |
| Camera | Martin Dotta | Second Assistant Camera |
| Sound | Terry Wilson | Music Editor |
| Art | Pablo Olivera | Concept Artist |
| Visual Effects | Saeed Faridzadeh | Digital Compositor |
| Crew | Ariel Arredondo Lopez Dickson | Stunt Coordinator |
| Costume & Make-Up | Juan David Troncoso | Costume Assistant |
| Production | Ezequiel Rossi | Post Production Coordinator |
| Sound | Nevin Seus | Music Editor |
| Crew | Matias Di Capua | Picture Car Coordinator |
| Visual Effects | Patrick O'Keeffe | Digital Compositor |
| Visual Effects | Edward P. Pedersen | Visual Effects Producer |
| Camera | Karim Kachou | Assistant Camera |
| Lighting | Julián Cantaro | Electrician |
| Costume & Make-Up | Delfina De La Cárcova | Costume Assistant |
| Editing | Kevin Bailey | Assistant Editor |
| Crew | Eden Stelmach | Post Production Assistant |
| Crew | Diego Igartua | Transportation Captain |
| Production | Avy Kaufman | Casting |
| Production | Rodrigo Cala | Production Manager |
| Sound | Lauren Hadaway | Supervising Dialogue Editor |
| Visual Effects | Matthew Ribeiro | Matte Painter |
| Lighting | Walter Saavedra | Electrician |
| Production | Caitlin McKenna | ADR Voice Casting |
| Editing | Staci Pontius | First Assistant Editor |
| Production | Eric Layne | Production Accountant |
| Crew | Amy Leigh Johnson | Unit Publicist |
| Art | Agostina De Francesco | Assistant Set Decoration |
| Sound | Hernán Converti | Boom Operator |
| Crew | Pei Yao | Compositor |
| Production | Jon Goracy | Casting Associate |
| Art | Marcela Bazzano | Art Direction |
| Art | Julio Pascoli | Construction Coordinator |
| Art | Ellen Freund | Property Master |
| Sound | Scott A. Hecker | Supervising Sound Editor |
| Lighting | Jaime Muschietti | Gaffer |
| Costume & Make-Up | Julieta Gantov | Costume Assistant |
| Production | Santiago Serret | Location Manager |
| Sound | Chris Navarro | ADR Mixer |
| Art | Fernanda Castelo | Assistant Art Director |
| Camera | Federico Rivarés | Camera Operator |
| Production | Iair Said | Local Casting |
| Production | Katia Szechtman | Local Casting |
| Visual Effects | Emily Austin Griswold | VFX Artist |
| Sound | Alexandre Desplat | Original Music Composer |
