Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the prison where he has been since, and hunts down Dad for revenge. Dad is now a respectable sheriff in California, and has been living in fear of Rio's return.
Writing | Charles Neider | Novel |
Production | Frank P. Rosenberg | Producer |
Art | J. McMillan Johnson | Art Direction |
Art | Hal Pereira | Art Direction |
Editing | Archie Marshek | Editor |
Production | Walter Seltzer | Executive Producer |
Directing | Marlon Brando | Director |
Production | George Glass | Executive Producer |
Sound | Hugo Friedhofer | Original Music Composer |
Writing | Calder Willingham | Screenplay |
Camera | Charles Lang | Director of Photography |
Writing | Guy Trosper | Screenplay |
Art | Dominic Mautino | Standby Painter |
Art | Robert R. Benton | Set Decoration |
Art | Sam Comer | Set Decoration |
Costume & Make-Up | Yvonne Wood | Costume Design |
Costume & Make-Up | Phil Rhodes | Makeup Artist |
Crew | Henry Wills | Stunt Double |
Crew | Paul Baxley | Stunt Coordinator |
Crew | Jack Lilley | Stunts |
Crew | Gibb Stepp | Stunts |
Crew | Steven Marlo | Stunt Double |
Crew | Rod Serling | Additional Writing |
Crew | Sam Peckinpah | Additional Writing |
Camera | W. Wallace Kelley | Second Unit Director of Photography |
Crew | John P. Fulton | Special Effects |
Crew | Farciot Edouart | Special Effects |
Visual Effects | Richard Mueller | Color Designer |
Directing | Francisco Day | Assistant Director |
Directing | Harry Caplan | Assistant Director |
Crew | Rosita Moreno | Technical Advisor |
Crew | Rodd Redwing | Technical Advisor |
Crew | Henry Scott | Dialogue Coach |
Costume & Make-Up | Wally Westmore | Makeup Supervisor |
Costume & Make-Up | Nellie Manley | Hair Supervisor |
Crew | Josephine Earl | Choreographer |
Sound | Hugo Grenzbach | Sound Recordist |
Sound | Charles Grenzbach | Sound Recordist |
Production | Carlo Fiore | Producer's Assistant |