In 1962 England, a young couple finds their idyllic romance colliding with issues of sexual freedom and societal pressure, leading to an awkward and fateful wedding night.
Directing | Dominic Cooke | Director |
Writing | Ian McEwan | Screenplay |
Writing | Ian McEwan | Novel |
Production | Stephen Woolley | Producer |
Camera | Sean Bobbitt | Director of Photography |
Art | Charlotte Dirickx | Set Decoration |
Editing | Nick Fenton | Editor |
Art | Keely Lanigan-Atkins | Assistant Art Director |
Production | Elizabeth Karlsen | Producer |
Production | Caroline Levy | Co-Producer |
Costume & Make-Up | Keith Madden | Costume Design |
Sound | Dan Jones | Music |
Art | Suzie Davies | Production Design |
Production | Nina Gold | Casting |
Art | Susannah Brough | Art Direction |
Production | Robert Jones | Executive Producer |
Costume & Make-Up | Karen Hartley-Thomas | Hair Designer |
Production | Peter Hampden | Executive Producer |
Production | Chiara Gelardin | Executive Producer |
Production | Zygi Kamasa | Executive Producer |
Production | Thorsten Schumacher | Executive Producer |
Sound | Karen Elliott | Music Supervisor |
Costume & Make-Up | Karen Hartley-Thomas | Makeup Designer |
Production | Beth Pattinson | Executive Producer |
Production | Joe Oppenheimer | Executive Producer |
Production | Norman Merry | Executive Producer |
Production | Ian McEwan | Executive Producer |
Sound | Ian Voigt | Production Sound Mixer |
Production | Louise Killin | Unit Production Manager |
Sound | Robert Ireland | Sound Designer |
Production | Richard Payten | Co-Executive Producer |
Crew | Polly Duval | Post Production Supervisor |
Art | Daniel Taylor | Supervising Art Director |
Production | Andrew Mackie | Co-Executive Producer |
Directing | George Walker | First Assistant Director |
Sound | Lee Herrick | Supervising Sound Editor |
Sound | Robert Farr | Sound Re-Recording Mixer |
Editing | Brenna Rangott | Additional Editor |
Art | Kevin Day | Standby Property Master |