In this romantic western, the real stars are a mustang and a police dog. The human aspect of the story centers on a rodeo rider whose late father bequeathed him a ranch in Calgary, Canada. The rider really tries to settle down to ranching, but finds himself pining for the rodeo. His forewoman, also a former rodeo performer, thinks her employer is shirking his duties and needs to forget about broncos, and bull-riding and settle down. Meanwhile, the fellow also longs to catch the white stallion running wild. The dog helps out.
| Directing | Albert S. Rogell | Director |
| Writing | Jean Muir | Writer |
| Writing | Art Arthur | Story |
| Writing | Art Arthur | Screenplay |
| Writing | Lillie Hayward | Story |
| Writing | Lillie Hayward | Screenplay |
| Production | Albert S. Rogell | Producer |
| Production | David Hersh | Executive Producer |
| Sound | Paul Sawtell | Original Music Composer |
| Camera | John W. Boyle | Director of Photography |
| Editing | Philip Cahn | Editor |
| Art | Edward L. Ilou | Art Direction |
| Art | Armor Marlowe | Set Decoration |
| Production | James T. Vaughn | Production Manager |
| Directing | Ridgeway Callow | Assistant Director |
| Crew | Polly Burson | Stunts |
