An ex New York cop is desperate to find his kidnapped daughter.
Production | Alixe Gordin | Casting |
Crew | C. Thomas Howell | Stunts |
Sound | Richard C. Franklin | Assistant Sound Editor |
Production | Arnold Kopelson | Executive Producer |
Camera | Victor J. Kemper | Director of Photography |
Directing | Michael Haley | First Assistant Director |
Art | Stuart Wurtzel | Production Design |
Costume & Make-Up | Irving Buchman | Makeup Artist |
Editing | Argyle Nelson Jr. | Editor |
Writing | William P. McGivern | Novel |
Writing | William W. Norton | Screenplay |
Camera | Leo Lebowitz | Assistant Camera |
Camera | Muky | Still Photographer |
Art | Wayne Fitzgerald | Title Designer |
Art | Howard Duff | Props |
Sound | Artie Kane | Original Music Composer |
Sound | Artie Kane | Music |
Directing | Sidney J. Furie | Co-Director |
Crew | Blair Burrows | Stunts |
Costume & Make-Up | Peggy Farrell | Costume Design |
Writing | Rick Natkin | Screenplay |
Directing | Robert Butler | Director |
Sound | Dennis Maitland | Sound Mixer |
Crew | Sandy Alexander | Stunts |
Crew | Ted White | Stunts |
Crew | Gene Hartline | Stunts |
Production | Jay Weston | Producer |
Production | Stephen F. Kesten | Unit Production Manager |
Production | Stephen F. Kesten | Associate Producer |
Crew | Chris Howell | Stunt Coordinator |
Camera | Jack Brown | Assistant Camera |
Lighting | John Delaney | Electrician |
Editing | Barry L. Gold | Assistant Editor |
Sound | Daniel Rosenblum | Sound Recordist |
Crew | Everett Creach | Stunts |
Sound | Ken Dufva | Foley Artist |
Crew | Raymond Hartwick | Stunt Coordinator |
Camera | Lou Barlia | Camera Operator |
Sound | Rick Kline | Sound Mixer |
Sound | Donald O. Mitchell | Sound Effects Editor |
Crew | Harry Madsen | Stunts |
Directing | Barbara Stoia | Script Supervisor |
Art | Dave Weinman | Set Dresser |
Crew | Connie Brink | Special Effects |
Crew | Dennis S. Sands | Score Engineer |
Directing | Mel Howard | First Assistant Director |
Costume & Make-Up | William A. Farley | Hairstylist |
Directing | Renata Stoia | Script Supervisor |
Production | Christopher Cronyn | Production Assistant |
Crew | Mickey Alzola | Stunts |
Camera | James V. Gartland | Grip |
Camera | Bobby Brown | Second Assistant "A" Camera |
Sound | Tex Rudloff | Sound Re-Recording Mixer |
Crew | Tony Parmelee | Special Effects |
Crew | Ron Burke | Stunts |
Camera | Mike Miller | Grip |
Art | John Godfrey | Set Decoration |
Crew | Al Griswold | Special Effects |
Directing | Candace Suerstedt | Second Assistant Director |
Crew | Ron Ottesen | Special Effects |
Camera | Dennis Gamiello | Grip |
Camera | John Finnerty Jr. | Best Boy Grip |
Crew | John Ashby | Stunts |
Sound | Dennis Maitland II | Boom Operator |
Crew | Steven Chambers | Stunts |
Camera | James Finnerty | Key Grip |
Lighting | James P. Dolan | Electrician |
Production | Steven H. Cohen | Production Assistant |
Art | Walter Stocklin | Property Master |
Camera | James Halligan | Grip |
Crew | Laurie Creach | Stunts |
Camera | Edward Knott | Grip |
Crew | Daniel Dod | Stunts |
Production | Tom Fritz | Production Assistant |
Crew | Carter Alsop | Utility Stunts |
Lighting | Ronald Dolan | Electrician |
Lighting | Tom Siracusa | Electrician |
Directing | Ron Walsh | First Assistant Director |