Schwartz approaches light traveling through water in all its forms. His macro lens strives to get closer to the essence, to the transparency of things, and yet, the tenebrous and doomed cry of a church’s bell, and the ascending, unstoppable pitch that accompany the images end up close to the sound of a derailed train—and the unfocused, unclear vision that comes with it. -Monica Savirón
| Directing | Jonathan Schwartz | Director |
