Harry really wants a rabbit. Harry's Dad really wants his wife back. And somehow in the middle of all this wanting, they both seem to have forgotten that they already have each other.
Crew | Joel Edgerton | Thanks |
Art | Melinda Doring | Production Design |
Camera | Greig Fraser | Still Photographer |
Crew | Greig Fraser | Cinematography |
Crew | Nash Edgerton | Thanks |
Crew | Cate Shortland | Thanks |
Camera | Kieran Darcy-Smith | Still Photographer |
Directing | David Michôd | Director |
Writing | David Michôd | Writer |
Production | Angie Fielder | Producer |
Crew | Luke Doolan | Thanks |
Editing | Katie Flaxman | Editor |
Sound | Sam Petty | Sound Designer |
Sound | Sam Petty | Music |
Sound | Sam Petty | Musician |
Sound | Michael McMenomy | Sound Editor |
Production | Kirsty McGregor | Casting |
Sound | Mark Cornish | Sound Recordist |
Crew | David Trethewey | Special Effects |
Production | Polly Staniford | Producer |
Art | Helen O'Loan | Set Decoration |
Camera | Adam Kuiper | Key Grip |
Costume & Make-Up | Charlotte Haywood | Costume Designer |
Art | Andrew Lee | Set Decoration |
Costume & Make-Up | Amanda Mattern | Makeup Artist |
Production | Tracey-Lee Permall | Production Manager |
Sound | Kristine Rowe | Musician |
Camera | Rupert Brown | Focus Puller |
Camera | Lucinda van de Berkt | Clapper Loader |
Camera | Stephen Harding | Best Boy Grip |
Camera | Richard Narramore | Steadicam Operator |
Lighting | Jason Rogers | Gaffer |