Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
You can now watch The Talented Mr. Ripley online on the following streaming providers in the United States.
| Directing | Anthony Minghella | Director |
| Writing | Anthony Minghella | Screenplay |
| Production | William Horberg | Producer |
| Production | Tom Sternberg | Producer |
| Sound | Gabriel Yared | Original Music Composer |
| Camera | John Seale | Director of Photography |
| Editing | Walter Murch | Editor |
| Production | David Rubin | Casting |
| Art | Roy Walker | Production Design |
| Art | Stefano Maria Ortolani | Art Direction |
| Art | Bruno Cesari | Set Decoration |
| Costume & Make-Up | Ann Roth | Costume Design |
| Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
| Costume & Make-Up | Elisabetta De Leonardis | Hairstylist |
| Sound | Pat Jackson | Supervising Sound Editor |
| Sound | Kyrsten Mate | Sound Effects Editor |
| Crew | Sam Conway | Special Effects Coordinator |
| Visual Effects | Dennis Lowe | Visual Effects Supervisor |
| Crew | Franco Maria Salamon | Stunt Coordinator |
| Crew | Claudio Pacifico | Stunts |
| Costume & Make-Up | Gary Jones | Costume Design |
| Writing | Patricia Highsmith | Novel |
| Production | Steve E. Andrews | Associate Producer |
| Production | Alessandro von Norman | Line Producer |
| Production | Paul Zaentz | Co-Producer |
| Production | Sydney Pollack | Executive Producer |
| Production | Lynn Kamern | Unit Production Manager |
| Sound | Graham Walker | Music Supervisor |
| Directing | Dianne Dreyer | Script Supervisor |
| Camera | Phil Bray | Still Photographer |
| Crew | Larry Kaplan | Unit Publicist |
| Crew | Tim Monich | Dialect Coach |
| Sound | Ivan Sharrock | Sound Mixer |
| Art | John Fenner | Supervising Art Director |
| Art | Alessandro Alberti | Assistant Art Director |
| Art | Sabina Lepri | Art Department Assistant |
| Production | Ronna Kress | Casting Associate |
| Production | Shaila Rubin | Casting |
| Production | Sarah Beardsall | Casting |
| Crew | Fabrizio Sforza | Makeup Effects |
| Costume & Make-Up | Tina Earnshaw | Makeup Department Head |
| Costume & Make-Up | Kay Georgiou | Hair Department Head |
| Costume & Make-Up | Paolo Mantini | Hair Designer |
| Costume & Make-Up | Giorgio Gregorini | Hairstylist |
| Lighting | Morris Flam | Gaffer |
| Visual Effects | Richard Conway | Special Effects Supervisor |
| Crew | Giancarlo Mancini | Special Effects Coordinator |
| Production | Antonio Gabrielli | Location Manager |
| Sound | Jennifer L. Ware | Sound Effects Editor |
| Sound | Walter Murch | Sound Re-Recording Mixer |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Sound | David Parker | Sound Re-Recording Mixer |
| Sound | Robert Randles | Music Editor |
| Production | Lydia Dean Pilcher | Co-Producer |
| Sound | Dianna Stirpe | Dialogue Editor |
| Sound | Barbara McBane | Dialogue Editor |
| Art | Bernie Hearn | Property Master |
| Sound | Richard Quinn | ADR Editor |
| Sound | Mark Levinson | ADR Supervisor |
| Sound | Donald Banks | Boom Operator |
| Art | Tony Wright | Storyboard Artist |
