Vinnie's a bookie, happily married, running his operation for 30 years out of his bar in Brooklyn. Times change, the boys up the chain want a bigger profit, so Vinnie's expendable He's assigned a hotheaded kid, Tony, the nephew of a local mobster. Vinnie's told to school the lad, use him for collections, and teach him some sense. What Vinnie doesn't know is that once Tony learns the ropes, Vinnie will be out. Tensions mount when Tony goes around Vinnie's paternalistic ways, takes a bet from an unemployed alcoholic, and demands that the loser's wife pay the vig in trade. Is there any way out for Vinnie - with or without his good name?
| Production | Lauren McLaughlin | Co-Producer |
| Directing | Graham Theakston | Director |
| Writing | Paul Hapenny | Screenplay |
| Art | Patricia Castellanos | Location Scout |
| Production | André Link | Executive Producer |
| Production | Derrick Tseng | Line Producer |
| Costume & Make-Up | Nancy Brous | Costume Design |
| Sound | Gerry Gershman | Music Supervisor |
| Production | Sophia Lin | Production Coordinator |
| Production | F. Miguel Valenti | Producer |
| Production | Stacie Goodman | Casting Assistant |
| Production | Cis Corman | Executive Producer |
| Production | John Dunning | Executive Producer |
| Production | Erin Martin | Executive Producer |
| Art | Phyllis Cedar | Production Design |
| Production | Jeff Sackman | Executive Producer |
| Production | Monica Hampton | Production Manager |
| Production | Amy Starr | Unit Manager |
| Sound | Colin Towns | Original Music Composer |
| Art | Betsy Alton | Set Decoration |
| Production | Ian MacGregor | Location Manager |
| Production | Michael Paseornek | Executive Producer |
| Editing | Alan Jones | Editor |
| Crew | Philip Stilman | Post Production Supervisor |
| Camera | Sarah Cawley | Director of Photography |
