When unemployed dockworker Joey Coyle finds $1.2 million that fell off of an armored car, he decides to do the logical thing: take the money and run. After all, he says, finders keepers. He turns to his ex-girlfriend Monica, who works in an investment firm, for advice, before turning to the mob for help laundering the money. While Joey makes plans to leave the country, however, a detective is following his ever-warmer trail in order to recover the cash.
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| Writing | Carol Sobieski | Screenplay |
| Writing | Tom Musca | Screenplay |
| Writing | Ramón Menéndez | Screenplay |
| Costume & Make-Up | Greg T. Moon | Makeup Artist |
| Camera | Newton Thomas Sigel | Director of Photography |
| Editing | Nancy Richardson | Editor |
| Art | Susan Raney | Set Decoration |
| Costume & Make-Up | Zeca Seabra | Costume Design |
| Production | Tom Musca | Producer |
| Costume & Make-Up | Felicity Bowring | Makeup Department Head |
| Production | Matt Tolmach | Executive Producer |
| Sound | Craig Safan | Original Music Composer |
| Production | Gordon Freedman | Executive Producer |
| Production | David Permut | Executive Producer |
| Production | Victoria Thomas | Casting |
| Costume & Make-Up | Sean Roger Miguez | Hairstylist |
| Art | Michelle Minch | Production Design |
| Art | Beth Kuhn | Art Direction |
| Writing | Mark Bowden | Author |
| Production | Cyrus Yavneh | Co-Producer |
| Crew | Eddy Donno | Stunt Coordinator |
| Crew | Shane Dixon | Stunts |
| Crew | Steve Santosusso | Stunts |
| Production | Cyrus Yavneh | Unit Production Manager |
| Directing | Babu Subramaniam | First Assistant Director |
| Directing | Cynthia A. Potthast | Second Assistant Director |
| Production | Erik Holmberg | Production Supervisor |
| Art | Mark Worthington | Assistant Art Director |
| Art | Jeffrey Paul Johnson | Leadman |
| Costume & Make-Up | Diane Collins | Costume Supervisor |
| Costume & Make-Up | Bonnie Clevering | Key Hair Stylist |
| Camera | Jim McConkey | Second Unit Director of Photography |
| Camera | Jim McConkey | Steadicam Operator |
| Camera | Robert C. Carlson | First Assistant Camera |
| Camera | Brian S. Osmond | Second Assistant Camera |
| Camera | David Richert | First Assistant "B" Camera |
| Directing | Sydney Gilner | Script Supervisor |
| Sound | John Fundus | Boom Operator |
| Sound | Dennis Maitland | Sound Mixer |
| Sound | Ellen Segal | Music Editor |
| Sound | Patrick Dodd | Supervising Sound Editor |
| Sound | Kim B. Christensen | Sound Effects Editor |
| Sound | Samuel H. Hinckley | Sound Effects Editor |
| Sound | Mark Levinson | ADR Editor |
| Sound | Malcolm Fife | Foley Editor |
| Lighting | Gene Engels | Chief Lighting Technician |
| Lighting | Ed Letteri | Rigging Gaffer |
| Lighting | Frank McGough | Best Boy Electric |
| Camera | George Patsos | Key Grip |
| Camera | John Janusek | Best Boy Grip |
| Camera | Billy Patsos | Dolly Grip |
| Lighting | Bart Flaherty | Rigging Grip |
| Art | Eugene McCarthy | Property Master |
| Art | Doug DuRose | Assistant Property Master |
| Crew | Joe Digaetano | Special Effects Coordinator |
| Crew | Mike Menzel | Special Effects Coordinator |
| Production | Nancy Mosher Hall | Production Coordinator |
| Production | Lorene M. Duran | Assistant Production Coordinator |
| Directing | Jeff Kay | Second Second Assistant Director |
| Art | Louis P. Taylor | Construction Coordinator |
| Production | Bob Johnston | Location Manager |
| Production | Lys Hopper | Assistant Location Manager |
| Crew | Julie Kuehndorf | Unit Publicist |
| Camera | Adger W. Cowans | Still Photographer |
| Crew | Russell Davis | Transportation Captain |
| Crew | Donald A. Kraus | Transportation Captain |
| Crew | A. Welch Lambeth | Transportation Coordinator |
| Production | Jeanne McCarthy | Casting Associate |
| Production | Matthew Barry | Casting Assistant |
| Production | Nancy Mosser | Extras Casting |
| Sound | Michael Semanick | Sound Re-Recording Mixer |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Editing | Dale E. Grahn | Color Timer |
| Directing | Ramón Menéndez | Director |