While based in a remote NATO radar station in Iceland in late 1960's, Warren occasionally time traveled into the future - to the year 2006 - and now as his former destination in time becomes his present, he returns to prevent the death of a woman he fell in love with during his travels.
| Directing | Óskar Thór Axelsson | Director |
| Writing | Óskar Thór Axelsson | Screenplay |
| Camera | Daniel Vecchione | Director of Photography |
| Editing | Sasie Sealy | Editor |
| Sound | Frank Hall | Music |
| Production | Hlín Jóhannesdóttir | Producer |
| Production | Skuli Fr. Malmquist | Producer |
| Production | Þórir S. Sigurjónsson | Producer |
| Production | Thomas Woodrow | Producer |
| Art | Meg Zeder | Art Direction |
| Directing | Ísold Uggadóttir | Assistant Director |
| Editing | Max Finneran | Assistant Editor |
| Sound | Rob Meyer | Boom Operator |
| Camera | Godi Már Gudbjörnsson | Assistant Camera |
| Camera | Chris Teague | Assistant Camera |
| Costume & Make-Up | Meg Zeder | Costume Design |
| Sound | Michael Furjanic | Foley |
| Lighting | Lee Phelan | Gaffer |
| Costume & Make-Up | Ásta Hafthórsdóttir | Hair Designer |
| Camera | Jónas Guðmundsson | Key Grip |
| Camera | Hafsteinn Gunnar Sigurðsson | Key Grip |
| Camera | Brian Murphy | Key Grip |
| Camera | Huldar Breiðfjörð | Camera Loader |
| Costume & Make-Up | Ásta Hafthórsdóttir | Makeup & Hair |
| Crew | Grímar Jónsson | Post-Production Manager |
| Production | Jóel Sæmundsson | Production Assistant |
| Art | Hálfdán Pedersen | Production Design |
| Production | Davíð Óskar Ólafsson | Production Manager |
| Production | Phil Johnston | Production Manager |
| Directing | Thomas Woodrow | Script Supervisor |
| Sound | Michael Furjanic | Sound Editor |
| Sound | Julian Harker | Sound Engineer |
| Sound | Matthew Polis | Sound Designer |
| Camera | Nicholas Rucka | Camera Loader |