Greg Focker is ready to marry his girlfriend, Pam, but before he pops the question, he must win over her formidable father, humorless former CIA agent Jack Byrnes, at the wedding of Pam's sister. As Greg bends over backward to make a good impression, his visit to the Byrnes home turns into a hilarious series of disasters, and everything that can go wrong does, all under Jack's critical, hawklike gaze.
| Editing | Jon Poll | Editor |
| Editing | Greg Hayden | Editor |
| Writing | John Hamburg | Screenplay |
| Production | Ellen Chenoweth | Casting |
| Directing | Jay Roach | Director |
| Writing | Jim Herzfeld | Screenplay |
| Camera | Peter James | Director of Photography |
| Art | Karin Wiesel | Set Decoration |
| Art | John Kasarda | Art Direction |
| Art | Rusty Smith | Production Design |
| Costume & Make-Up | Daniel Orlandi | Costume Supervisor |
| Production | Greg Glienna | Associate Producer |
| Production | Jay Roach | Producer |
| Production | Robert De Niro | Producer |
| Production | Jim Vincent | Associate Producer |
| Production | Jane Rosenthal | Producer |
| Production | Nancy Tenenbaum | Producer |
| Production | Shauna Robertson | Co-Producer |
| Production | Amy Sayres | Co-Producer |
| Sound | Randy Newman | Original Music Composer |
| Crew | G. A. Aguilar | Stunt Coordinator |
| Sound | Randall Poster | Music Supervisor |
| Production | Emo Philips | Associate Producer |
| Art | Steven E. Lawler | Construction Foreman |
| Crew | Daniel Geary | Carpenter |
| Sound | James Morioka | Assistant Sound Editor |
| Visual Effects | David D. Johnson | Visual Effects Supervisor |
| Crew | J.C. Brotherhood | Special Effects Coordinator |
| Art | Hyun-joo Kim | Assistant Art Director |
| Crew | William Riley | Scenic Artist |
| Costume & Make-Up | John Glaser | Assistant Costume Designer |
| Crew | Kevin Du Toit | Post Production Assistant |
| Crew | Edmund Nardone | Projection |
| Production | Jeff Flach | Location Manager |
| Production | Lenny Vullo | Production Manager |
| Art | Ken Nelson | Construction Coordinator |
| Crew | Solange Monnier | Craft Service |
| Sound | Joe DeAngelis | Sound Recordist |
| Lighting | Steven Blaho | Rigging Grip |
| Production | Susie Farris | Casting Associate |
| Crew | Julie Arenal | Choreographer |
| Sound | Bruno Coon | Music Editor |
| Sound | Tod A. Maitland | Sound Mixer |
| Sound | George H. Anderson | Supervising Sound Editor |
| Art | Brett Botula | Location Scout |
| Production | Kate Kelly | Production Coordinator |
| Crew | Cynthia Bauer | Set Production Assistant |
| Crew | Edward O'Donnell | Transportation Captain |
| Camera | Bobby Mancuso | First Assistant Camera |
| Costume & Make-Up | Victor DeNicola | Hairstylist |
| Crew | Lisa Rodgers | Post Production Supervisor |
| Art | Tommy Allen | Property Master |
| Directing | Eva Z. Cabrera | Script Supervisor |
| Editing | Dennis McNeill | Color Timer |
| Camera | Tom Prate | Key Grip |
| Camera | Phillip V. Caruso | Still Photographer |
| Crew | Rocco Curatolo | Driver |
| Crew | Bill Anagnos | Stunts |
| Editing | Curtis Croeni | First Assistant Editor |
| Art | Alyson Wellins | Art Department Coordinator |
| Costume & Make-Up | Michal Bigger | Makeup Artist |
| Crew | Joseph Barry | Stand In |
| Directing | Richard Cowan | Assistant Director |
| Costume & Make-Up | John Quaglia | Key Hair Stylist |
| Crew | Orin Faison | Set Medic |
| Lighting | Clay Liversidge | Rigging Gaffer |
| Art | Amy Safhay | Greensman |
| Lighting | Morris Flam | Gaffer |
| Production | Julie Kuehndorf | Publicist |
| Sound | Frank Graziadei | Boom Operator |
| Crew | Maurice Fitzgerald | Transportation Co-Captain |
| Lighting | Bill Almeida | Best Boy Electric |
| Lighting | William MacGhee | Electrician |
| Sound | Dennis Drummond | Sound Effects Editor |
| Sound | Don Davis | Orchestrator |
| Sound | Jonathan Klein | Foley |
| Costume & Make-Up | David Davenport | Costumer |
| Costume & Make-Up | Joanna Brett | Wardrobe Supervisor |
| Sound | Mark Cross | Music Consultant |
| Camera | Caesar S. Carnevale | Camera Loader |
| Production | Aleta Shaffer | Art Department Production Assistant |
| Editing | Kent Blocher | Assistant Editor |
| Production | Johnny Egan | Production Assistant |
| Production | Steve Ginsburg | Second Assistant Accountant |
| Camera | Ronald Burke | Dolly Grip |
| Sound | Jeanette Browning | ADR Recordist |
| Production | Judy Pursley | First Assistant Accountant |
| Directing | Deanna Leslie | Additional Second Assistant Director |
| Art | Eric Cheripka | Assistant Property Master |
| Sound | Renée Tondelli | Supervising ADR Editor |
| Production | Brian Cantaldi | Location Assistant |
| Production | Tamara Bally | Accountant |
| Sound | Goro Koyama | Foley Artist |
| Camera | Kenny Burke | Best Boy Grip |
| Crew | Ralph G. Crowley | Generator Operator |
| Sound | Ron Mellegers | Foley Recordist |
| Crew | Jim Lillis | Special Effects Technician |
| Production | Carey DePalma | Assistant Location Manager |
| Production | Grant Wilfley | Extras Casting |
| Directing | Marco Schnabel | Second Unit Director |
| Production | Susan Silas | Payroll Accountant |
| Directing | Amy Lauritsen | Second Assistant Director |
| Art | Mike Bundlie | Graphic Designer |
| Camera | Michael Cambria | Second Assistant Camera |
| Editing | Gary Burritt | Negative Cutter |
| Sound | Brenda Heins | Music Coordinator |
| Production | Juliet D'Annibale | Assistant Production Coordinator |
| Sound | David Boulton | ADR Mixer |
| Directing | Jennifer Truelove | Second Second Assistant Director |
| Art | Christopher Ferraro | Set Dresser |
| Crew | Brian Byers | Other |
| Art | John Davis | Storyboard Artist |
| Production | Valentina Aulisi | Production Secretary |
| Sound | Kim Drummond | Dialogue Editor |
| Crew | Ron Michaels | Utility Stunts |
| Crew | Peter Epstein | Stunts |
| Writing | Greg Glienna | Original Film Writer |
| Writing | Mary Ruth Clarke | Original Film Writer |
