The series’ latest Harald Vogl feature (from 1984) completes the filmmaker’s gradual movement away from narrative toward a vérité-style essay film. Gone are the post-punk streets of the East Village, replaced with on-the-ground footage of antiwar protests and visitors to the Vietnam Memorial in Washington DC, and observational scenes of union parades, marching bands, street dancers, and Chinatown residents back in Manhattan.
| Directing | Harald Vogl | Director |
| Crew | Andrew Bergen | Cinematography |
| Crew | Joan Waltemath | Cinematography |
| Crew | Seth Tillett | Cinematography |
