After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.
You can now watch Master and Commander: The Far Side of the World online on the following streaming providers in the United States.
| Production | Mary Selway | Casting |
| Production | Bob Weinstein | Co-Producer |
| Production | Harvey Weinstein | Co-Producer |
| Writing | Peter Weir | Screenplay |
| Directing | Peter Weir | Director |
| Production | Peter Weir | Producer |
| Costume & Make-Up | Wendy Stites | Costume Design |
| Editing | Lee Smith | Editor |
| Directing | David R. Ellis | Second Unit Director |
| Production | Todd Arnow | Unit Production Manager |
| Production | Todd Arnow | Co-Producer |
| Production | Duncan Henderson | Producer |
| Art | William Sandell | Production Design |
| Art | Kevin Ishioka | Assistant Art Director |
| Art | Robert Gould | Set Decoration |
| Production | Anna Roth | Production Consultant |
| Art | Marco Niro | Art Direction |
| Production | Fiona Weir | Casting |
| Crew | Stuart Clark | Stunt Double |
| Costume & Make-Up | Robin Beauchesne | Makeup Artist |
| Editing | Jim Passon | Color Timer |
| Sound | Andy Potvin | Dolby Consultant |
| Crew | Daniel Sudick | Special Effects Coordinator |
| Art | Mark W. Mansbridge | Art Direction |
| Art | Bruce Crone | Art Direction |
| Art | Héctor Romero | Art Direction |
| Visual Effects | Stefen Fangmeier | Visual Effects Supervisor |
| Camera | Russell Boyd | Director of Photography |
| Art | William Hiney | Set Designer |
| Sound | Robert Fernandez | Scoring Mixer |
| Camera | Guillermo Rosas | Camera Operator |
| Sound | R.J. Kizer | Supervising ADR Editor |
| Writing | John Collee | Screenplay |
| Writing | Patrick O'Brian | Novel |
| Production | Alan B. Curtiss | Executive Producer |
| Directing | Alan B. Curtiss | First Assistant Director |
| Production | Samuel Goldwyn Jr. | Producer |
| Sound | Iva Davies | Original Music Composer |
| Sound | Iva Davies | Musician |
| Sound | Christopher Gordon | Original Music Composer |
| Sound | Christopher Gordon | Conductor |
| Sound | Richard Tognetti | Original Music Composer |
| Sound | Tim Gomillion | Sound Recordist |
| Sound | Paul Massey | Sound Re-Recording Mixer |
| Sound | Wendy Czajkowsky | ADR Mixer |
| Crew | Judy Dickerson | Dialect Coach |
| Crew | Patrick Esposito | Post-Production Manager |
| Crew | Jeffrey Harlacker | Post Production Supervisor |
| Production | Jessica Teach | Production Assistant |
| Sound | Art Rochester | Production Sound Mixer |
| Production | Meyer Gottlieb | Co-Producer |
| Crew | Mitch Toles | Utility Stunts |
| Visual Effects | Jeff Werner | Visual Effects Producer |
| Camera | Jamie Barber | Camera Operator |
| Editing | Michael Eaves | Digital Intermediate Colorist |
| Crew | Doug Coleman | Stunt Coordinator |
| Crew | Jeffrey D. Stevens | Set Medic |
| Costume & Make-Up | Kate Biscoe | Key Makeup Artist |
| Crew | Daniel W. Barringer | Stunt Coordinator |
| Visual Effects | Kathleen Beeler | Digital Compositors |
| Visual Effects | Robert Stromberg | Visual Effects Designer |
| Sound | Hugo Weng | Dialogue Editor |
| Production | Bridget Bourke | Line Producer |
| Production | Rafael Cuervo | Unit Manager |
| Crew | David Ebner | Digital Effects Supervisor |
| Sound | Gary A. Hecker | Foley Artist |
| Art | Daren Dochterman | Production Illustrator |
| Crew | Joey Anaya | Stunts |
| Lighting | Stephen Johnstone | Rigging Gaffer |
| Visual Effects | Kimberly Adams | Visual Effects Coordinator |
| Visual Effects | Julia Frey | Visual Effects Producer |
| Crew | David Oliver | Stand In |
| Costume & Make-Up | Edouard F. Henriques | Makeup Department Head |
| Production | Judith Bouley | Additional Casting |
| Costume & Make-Up | Dawn Y. Line | Costume Supervisor |
| Costume & Make-Up | Anthony Almaraz | Costumer |
| Production | Andy Foster | Production Coordinator |
| Art | Nick Navarro | Set Designer |
| Visual Effects | Nathan McGuinness | Visual Effects Supervisor |
| Art | Mark Hitchler | Set Designer |
| Visual Effects | Stephanie Hornish | Visual Effects Producer |
| Crew | Blondel Aidoo | Executive Visual Effects Producer |
| Sound | Richard King | Sound Designer |
| Sound | Hamilton Sterling | Sound Effects Editor |
| Art | Carlos Benassini | Set Designer |
| Art | Gary Deaton | Construction Coordinator |
| Art | Doug Harlocker | Property Master |
| Art | Gerald Lehtola | Art Department Coordinator |
| Art | Manuel Martínez | Set Designer |
| Art | Christopher Neely | Leadman |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Sound | Jeffrey A. Humphreys | Boom Operator |
| Sound | Michael W. Mitchell | Sound Effects Editor |
| Visual Effects | Mitchell S. Drain | Visual Effects Supervisor |
| Visual Effects | Helen Elswit | Visual Effects Producer |
| Visual Effects | Pablo Helman | Visual Effects Supervisor |
| Camera | George Billinger III | Camera Operator |
| Camera | Martha Susana Ramos | Camera Operator |
| Crew | Martha Susana Ramos | Special Effects Assistant |
| Camera | Don Reddy | Camera Operator |
| Camera | Matthew J. Siegel | Camera Operator |
| Production | Kazimierz Suwala | Local Casting |
| Editing | Hilda Saffari | Digital Intermediate Producer |
| Crew | Russell McEntyre | Transportation Coordinator |
| Crew | Maxine Arbarbara | Studio Teachers |
| Crew | Judith M. Brown | Studio Teachers |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Directing | Brenda Lopez | Script Supervisor |
| Production | Michael John Meehan | Location Manager |
| Crew | Christopher Terrill | Thanks |
| Crew | Wayne Stone | Transportation Captain |
| Sound | Susan Dawes | ADR Editor |
| Camera | Stephen Vaughan | Still Photographer |
| Sound | Simon Leadley | Music Editor |
| Costume & Make-Up | Jennifer Lewicki | Set Dressing Supervisor |
| Sound | John A. Larsen | Supervising ADR Editor |
| Costume & Make-Up | Yolanda Toussieng | Hair Department Head |
| Camera | Phil Pastuhov | Aerial Director of Photography |
| Visual Effects | Shannan Burkley | Matte Painter |
| Crew | Kosta Saric | Visual Effects Editor |
| Sound | Laura Graham | ADR Editor |
| Sound | James Bolt | Additional Sound Re-Recording Mixer |
| Lighting | Chris Culliton | Assistant Chief Lighting Technician |
| Editing | Martha Pike | Digital Intermediate Editor |
| Sound | Derek Casari | ADR Engineer |
| Crew | Gabriel De Cunto | Makeup Effects |
| Sound | Andrew Bock | Assistant Sound Editor |
| Sound | Linda Yeaney | First Assistant Sound Editor |
| Crew | Tom Barrett | Visual Effects Editor |
| Crew | Robert Alidon | Special Effects Technician |
| Visual Effects | Matthew Hackett | CG Animator |
| Production | Nicole Hilliard-Forde | Casting Associate |
| Costume & Make-Up | Mary C. Lane | Key Costumer |
| Sound | Christopher Flick | Foley Supervisor |
| Editing | Jack Lewars | Digital Colorist |
| Camera | Harry K. Garvin | Steadicam Operator |
| Crew | Timothy Michael Cairns | Quality Control Supervisor |
| Editing | Tommy Hooper | Digital Color Timer |
| Crew | Eric Putz | Telecine Colorist |
| Editing | John Lee | First Assistant Editor |
| Visual Effects | Brian Cuscino | I/O Supervisor |
| Lighting | Oscar Gomez | Rigging Grip |
| Camera | Robert Hill | First Assistant Camera |
| Camera | Andrew Stroud | Focus Puller |
| Art | James Arrigo | Construction Foreman |
| Art | Anthony Gaudio | Standby Painter |
| Camera | Chris Centrella | Key Grip |
| Costume & Make-Up | Edith I. Amezcua | Hairstylist |
| Costume & Make-Up | Marcelina Barraza | Seamstress |
| Costume & Make-Up | Javier Arrieta | Set Costumer |
| Art | Giovanni Bianchini | Set Dresser |
| Crew | Steve Auvenshine | Armorer |
| Crew | Orlando Chongo | Craft Service |
| Crew | Tom Gilhooley | Driver |
| Crew | Sal Alvarez | Loader |
| Crew | Sassica Francis-Bruce | Post Production Assistant |
| Crew | Larry Hoki | Projection |
| Crew | Bobby Mara | Propmaker |
| Crew | Jay Cooper | Sequence Supervisor |
| Crew | Heather Anderson | Set Production Assistant |
| Crew | Brian Gee | Technical Supervisor |
| Crew | Sandy O'Neill | Unit Publicist |
| Crew | Adam Barth | Video Assist Operator |
| Directing | Dani Morrow | Layout |
| Lighting | Rick Maddux | Best Boy Electric |
| Lighting | Willie E. Dawkins | Electrician |
| Lighting | David Lee | Gaffer |
| Lighting | Michael Sean Foley | Lighting Artist |
| Lighting | Derick Pritchard | Lighting Technician |
| Production | Jen Hutchinson | Production Accountant |
| Production | Derek Jan Vermaas | Production Office Coordinator |
| Production | Brice Criswell | Researcher |
| Visual Effects | Christopher Bonnstetter | 3D Supervisor |
| Art | David Russell | Storyboard Artist |
| Crew | Quincy Perkins | Translator |
| Directing | David M. Bernstein | Second Assistant Director |
| Crew | Troy Gilbert | Stunts |
| Visual Effects | Yuichiro Yamashita | CG Animator |
| Crew | Ivor Shier | Pilot |
| Camera | James D. Wickman | Dolly Grip |
| Editing | Gary Burritt | Negative Cutter |
| Costume & Make-Up | Julia Gombert | Ager/Dyer |
| Production | Louis Elman | ADR Voice Casting |
| Sound | Nancy Parker | Foley |
| Art | Richard F. Anderson | Assistant Property Master |
| Camera | Brian Rosso | Dolly Grip |
| Camera | Raúl Cortés | Grip |
| Costume & Make-Up | Rosa Isela Atondo | Tailor |
| Crew | Jesus Chavez | Animal Wrangler |
| Crew | Rick Hicks | Marine Coordinator |
| Production | Daniel A. Mondschain | Assistant Production Coordinator |
| Visual Effects | Michael Hemschoot | Lead Animator |
| Visual Effects | Talmage Watson | Matchmove Supervisor |
| Crew | Joaquin Cervera | Second Unit |
| Lighting | Jeff Kluttz | Key Rigging Grip |
| Visual Effects | Paul Vega | Visual Effects Assistant Editor |
| Art | Jane Fitts | Graphic Designer |
| Directing | Michelene Mundo | Assistant Director |
| Production | Christopher Ciketic | Assistant Accountant |
| Production | Marisa Clayton | Post Production Coordinator |
| Costume & Make-Up | Erin Henriques | Makeup Artist |
| Camera | Michael James Fahey | Best Boy Grip |
| Directing | Steven F. Beaupre | Second Second Assistant Director |
| Art | Gabriel Pérez | Construction Buyer |
| Art | Liza Rudolph | Property Buyer |
| Art | Sandra O'Toole | Textile Artist |
| Sound | Robbie Ashhurst | ADR Recordist |
| Visual Effects | Jessica O'Keefe | Visual Effects Production Assistant |
| Camera | Michaele Shapiro | Additional Second Assistant Camera |
| Camera | Mike Cahoon | Assistant Camera |
| Camera | Sergio Berry | Camera Trainee |
| Camera | Paul Gonsoulin | Second Assistant Camera |
| Editing | Anna Josenhans | Assistant Editor |
| Editing | Kent Pritchett | Colorist |
| Visual Effects | Robert Bourgeault | CG Artist |
| Visual Effects | Jeff Doran | Compositing Supervisor |
| Production | Claudio Bautista | Extras Casting Assistant |
| Production | Lucy Amador | First Assistant Accountant |
| Production | David Travis Grieb | Production Driver |
| Production | Kimberly Cooper | Production Executive |
| Production | Mimi Munson | Researcher |
| Visual Effects | Daniel Becerra | Rotoscoping Artist |
| Production | Tom Chung | Second Assistant Accountant |
| Production | Matthew Humphreys | Accounting Clerk Assistant |
