Lyddie (Tanya Allen) faces a daunting task: She's struggling to reunite her family and save their farm. To do that, she takes a job at a cotton mill and, with the help of Diana (who's toiled in the mills since age 10), learns that there are risks involved with being a factory girl -- namely, dangerous working conditions and low wages. Soon, Lyddie finds herself in the forefront of a suffrage movement to better those appalling conditions.
| Directing | Stefan Scaini | Director |
| Writing | Maggie Wadey | Writer |
| Sound | Christopher Dedrick | Orchestrator |
| Sound | Mark Korven | Music |
| Production | Victor Solnicki | Executive Producer |
| Production | Kevin DeWalt | Executive Producer |
| Production | Alex Graham | Producer |
| Production | Eric Jordan | Producer |
| Art | Dean A. O'Dell | Art Direction |
| Costume & Make-Up | Tracy George | Makeup Department Head |
| Costume & Make-Up | Jessica Heeren | Assistant Makeup Artist |
| Costume & Make-Up | Barbara J. Wozniak | Hair Designer |
| Production | Bill Imperial | Assistant Production Manager |
| Production | Deb LeFaive | Production Manager |
| Art | Jay Robertson | Assistant Property Master |
| Art | Roger Roscoe | Set Dresser |
| Art | Nick Thomas | Property Master |
| Sound | Rob Bryanton | Sound Editor |
| Sound | Stuart French | Production Sound Mixer |
| Sound | Steve Hasiak | Sound Effects Editor |
| Sound | Bob Holbrook | Boom Operator |
| Sound | Warren St. Onge | Sound Editor |
| Production | Sheila Goodman | Payroll Accountant |
| Production | Kenneth Mancebo | Production Accountant |
| Crew | Christopher Pottruff | Craft Service |
| Production | Jo Weiss | Production Assistant |
| Crew | Paul Sarony | Production Artist |
| Writing | Katherine Paterson | Novel |
| Writing | Maureen Dorey | Story Editor |
| Editing | Ralph Brunjes | Editor |
| Art | David Ferguson | Production Design |
| Camera | Michael Storey | Director of Photography |