Little Lieutenant is a look back at the late Weimar era with its struggles and celebrations leading up to world war, a period piece. Scored to John Zorn's arrangement of the Kurt Weill song, "Little Lieutenant of the Loving God", and drawing its imagery both from the original song and its somewhat idiosyncratic rearrangement, the film presents an internal reading of Silvers' solo scored to the same musical piece, "Along the Skid Mark of Recorded History".
| Directing | Henry Hills | Director |
| Directing | Sally Silvers | Director |
| Camera | Henry Hills | Camera Operator |
| Editing | Henry Hills | Editor |
| Crew | Sally Silvers | Choreographer |
| Costume & Make-Up | Sally Silvers | Costumer |
| Sound | John Zorn | Music Arranger |
| Sound | John Zorn | Conductor |
| Camera | James Casebere | Camera Operator |
| Art | James Casebere | Art Designer |
| Production | Heather Hughes | Production Assistant |
| Art | Dan Esterman | Title Designer |
| Editing | Dan O'Grady | Negative Cutter |
| Sound | Luli Schioi | Musician |
| Sound | Bobby Previte | Musician |
| Sound | Jim Staley | Musician |
| Sound | Guy Klucevsek | Musician |
| Sound | Carol Emanuel | Musician |
| Sound | Fred Frith | Musician |
| Sound | John Zorn | Musician |
| Sound | Hal Wilner | Music Producer |