Miguel Hermoso's Like Lightning offers a fresh take on a familiar scenario, the teenaged boy searching for his unknown father. Pablo is a typical teen, with a fondness for football and sneaking beers with his buddies. He enjoys a comfortable upper-middle class life with his mother (Assumpta Serna), a successful lawyer and former feminist rabble-rouser, but has a gaping hole at the core of his identity: he has no idea who his father is. Preoccupied with the question to the point of obsession, he sets out in search of answers, and finds himself on a trail that leads to the Canary Islands.
| Directing | Miguel Hermoso | Director |
| Art | Juan Antonio Torrijos | Set Dresser |
| Production | Cayetano Olaizola | Production Assistant |
| Costume & Make-Up | Sonia Grande | Costume Design |
| Costume & Make-Up | Paca Almenara | Makeup Artist |
| Directing | J.C. Falcón | Assistant Director Trainee |
| Lighting | Rafael Castro | Electrician |
| Crew | Ángel Megino | Transportation Coordinator |
| Production | Rafael Díaz-Salgado | Associate Producer |
| Art | Carlos Dorremochea | Art Direction |
| Art | Federico del Cerro | Set Dresser |
| Production | Raúl de la Morena | Production Manager |
| Art | Juan Carlos Ramos | Painter |
| Art | Willo Spinola | Set Designer |
| Sound | Sergio Burmann | Sound Assistant |
| Crew | Reyes Abades | Special Effects Technician |
| Camera | Iván Leiva | First Assistant Camera |
| Camera | Juan Leiva | Assistant Camera |
| Production | Paloma Porras | Production Assistant |
| Art | Carlos J. Santos | Title Designer |
| Camera | Fernando Arribas | Director of Photography |
| Sound | Eduardo Fernández | Sound Mixer |
| Crew | José Antonio Laguna | Video Assist Operator |
| Camera | Joaquín Manchado | Steadicam Operator |
| Camera | Carlos Miguel | Key Grip |
| Costume & Make-Up | Sergio Armas | Costume Designer |
| Directing | Montse Ordorica | Script Supervisor |
| Sound | Óscar Gómez | Music |
| Production | Elena Arnao | Casting |
| Sound | Nacho Royo-Villanova | Sound Editor |
| Sound | Ricardo Steinberg | Sound |
| Lighting | Rafael García Martos | Gaffer |
| Camera | Matías Nieto | Still Photographer |
| Crew | Alicia Yubero | Post-Production Manager |
| Sound | Jaume Puig | Dolby Consultant |
| Camera | José Luis Bernal | Camera Trainee |
| Directing | Fernando Sánchez-Izquierdo | Second Assistant Director |
| Art | Beatriz González | Set Designer |
| Art | Ramón Moya | Construction Coordinator |
| Art | Francisco Valero | Painter |
| Visual Effects | Carlos J. Santos | Visual Effects |
| Lighting | Fernando Beltrán | Electrician |
| Editing | José Ramón Guillén | Assistant Editor |
| Editing | María Luisa López | Assistant Editor |
| Writing | Miguel Hermoso | Writer |
| Sound | Daniel Goldstein | Sound |
| Production | José Luis Olaizola | Associate Producer |
| Editing | Blanca Guillén | Editor |
| Costume & Make-Up | Eli Adánez | Hairstylist |
| Art | Román Rojas | Set Decoration |
| Crew | Ignacio Carreño | Stunts |
| Camera | Julio Leyva | Assistant Camera |
| Camera | Miguel Ángel López | Grip |
| Directing | Charina Laguna | Assistant Director Trainee |
| Sound | Pelayo Gutiérrez | Sound Editor |
| Camera | Christian Molina | Second Assistant Camera |
| Costume & Make-Up | Joaquín Montull | Costumer |
| Crew | Luis M. Gutiérrez Santos | Stunts |
| Production | Miguel Ángel González | Line Producer |
| Directing | María Guisado | Assistant Director |
| Directing | Carlos Lázaro | First Assistant Director |
| Art | José Antonio Jiménez | Painter |
| Sound | Manuel Corrales | Sound Effects |
| Sound | Víctor Reyes | Music |
| Camera | Arturo Aldegunde | Steadicam Operator |
