Through stop-motion animation, the complex causes of migration are investigated using the example of a study of migrants from the Horn of Africa region. For the film, the dolls were made using 3D scanning and photogrammetry of real characters, and then 3D printing. The painting is inspired by the stories of migrants, revealing a variety of personal, social and economic reasons that force people to cross borders. Visualizing internal and external migration routes, the film destroys the idea of migration as a problem.
| Directing | Osbert Parker | Director |