District Attorney Tom Logan is set for higher office, at least until he becomes involved with defence lawyer Laura Kelly and her unpredictable client Chelsea Deardon. It seems the least of Chelsea's crimes is the theft of a very valuable painting, but as the women persuade Logan to investigate further and to cut some official corners, a much more sinister scenario starts to emerge.
Sound | Rick Alexander | Sound Re-Recording Mixer |
Production | Howard Feuer | Casting |
Editing | Pembroke J. Herring | Editor |
Art | Thomas L. Roysden | Set Decoration |
Editing | Sheldon Kahn | Editor |
Production | Sheldon Kahn | Associate Producer |
Crew | Alan Gibbs | Stunt Coordinator |
Sound | Elmer Bernstein | Original Music Composer |
Sound | Elmer Bernstein | Conductor |
Directing | Katterli Frauenfelder | Second Assistant Director |
Directing | Ivan Reitman | Director |
Production | Ivan Reitman | Producer |
Writing | Ivan Reitman | Story |
Production | Michael C. Gross | Executive Producer |
Camera | László Kovács | Director of Photography |
Production | John G. Wilson | Production Manager |
Costume & Make-Up | Albert Wolsky | Costume Design |
Writing | Jim Cash | Screenplay |
Writing | Jack Epps Jr. | Screenplay |
Art | John DeCuir Jr. | Production Design |
Directing | Peter Giuliano | First Assistant Director |
Sound | Kathy Durning | Supervising Music Editor |
Editing | Craig Herring | Assistant Editor |
Art | Ron Hobbs | Art Direction |
Visual Effects | Richard Edlund | Visual Effects Supervisor |
Editing | William D. Gordean | Editor |
Sound | Bill Varney | Sound Re-Recording Mixer |
Production | Arne Glimcher | Associate Producer |
Production | Joe Medjuck | Executive Producer |
Crew | Buddy Van Horn | Stunts |
Crew | Jeannie Epper | Stunts |
Sound | James Moriana | Foley Artist |
Sound | Jeffrey Wilhoit | Foley Artist |
Art | Donald L. Nobles | Construction Coordinator |
Crew | Donna Evans | Stunts |
Production | Deborah Lucchesi | Casting |
Lighting | Richmond L. Aguilar | Chief Lighting Technician |
Camera | Dan Lerner | Steadicam Operator |
Art | Steven P. Sardanis | Set Designer |
Art | John Zemansky | Property Master |
Costume & Make-Up | Gary Liddiard | Makeup Artist |
Sound | Michael Minkler | Sound Re-Recording Mixer |
Camera | Garrett Brown | Steadicam Operator |
Production | Paul Pav | Location Manager |
Camera | Ray De La Motte | Camera Operator |
Camera | Douglas Kirkland | Still Photographer |
Sound | David E. Stone | Sound Editor |
Editing | Saul Saladow | Assistant Editor |
Art | Linda Conaway-Parsloe | Assistant Art Director |
Lighting | Kevin J. Lang | Assistant Chief Lighting Technician |
Directing | Trish Kinney | Script Supervisor |
Camera | Bruce Birmelin | Still Photographer |
Camera | Brian W. Armstrong | Second Assistant Camera |
Production | Nancy Willen | Publicist |
Camera | Gene Kearney | Key Grip |
Sound | Christopher Palmer | Orchestrator |
Editing | Donah Bassett | Negative Cutter |
Camera | Joseph E. Thibo | First Assistant Camera |
Sound | Richard Friedman | ADR Editor |
Sound | Tom C. McCarthy | Supervising Sound Editor |
Sound | Patrick Russ | Orchestrator |
Crew | Michael A. Tice | Propmaker |
Camera | Donald L. Hartley | Dolly Grip |
Sound | William L. Manger | Supervising Sound Editor |
Art | Scott M. Anderson | Set Dresser |
Art | Ronald C. Jacobs | Leadman |
Directing | Rodney Allen Hooks | Second Assistant Director |
Art | Amy Alexander | Assistant Art Director |
Directing | Sarah M. Brim | Second Assistant Director |
Art | Carlos Cerrada | Set Designer |
Art | Ray Chambers | Construction Foreman |
Art | 'Dangerous' Bob Widin | Assistant Property Master |
Lighting | John Thomas Kennedy | Rigging Grip |
Production | Nancy Aprile | Production Accountant |
Crew | Dave Webb | Dialogue Coach |
Production | Anna Zappia | Production Coordinator |