Juana and Francisca are serving at the Stevens house, an American couple. Both of them have a boyfriend, one is an egg-carrier and the other is a transporter with his own motorcycle. And both with a totally totalitarian and macho concept regarding male-female relations. The girls also have two American suitors assigned to the American Base of Torrejón, friends of their masters. Thus, without almost pretending, the two girls will find themselves in the midst of the jealous Spaniards and the beefy Yankees.
Directing | José María Forqué | Director |
Camera | Cecilio Paniagua | Director of Photography |
Writing | José Luis Dibildos | Writer |
Production | José Luis Dibildos | Producer |
Sound | Antón García Abril | Music |
Writing | Alfonso Paso | Writer |
Art | Adolfo Cofiño | Set Decoration |
Directing | Antonio Moxo | Assistant Director |
Art | Jesús Mateos | Property Master |
Production | Serafín García Trueba | Assistant Production Manager |
Art | Francisco Rodríguez Asensio | Settings |
Sound | Antonio Alonso Ciller | Sound Editor |
Production | Juan Campos | Production Manager |
Art | Antonio Luna | Property Master |
Directing | Sinesio Isla | Assistant Director |
Camera | Clemente Manzano | Camera Operator |
Lighting | Casimiro Dengra | Lighting Technician |
Costume & Make-Up | Paquita Pons | Wardrobe Master |
Production | Antonio Martín | Administration |
Costume & Make-Up | Romana González | Hairstylist |
Production | Roberto Monleón | Assistant Production Manager |
Art | Ricardo Mengíbar | Property Master |
Camera | Enrique Montoya | Still Photographer |
Editing | Petra de Nieva | Editor |
Costume & Make-Up | Manolita Castro | Assistant Makeup Artist |
Art | Rafael García | Property Master |
Camera | Ramiro Sabell | Assistant Camera |
Costume & Make-Up | Humberto Cornejo | Costume Design |
Editing | Isabel Campos | Assistant Editor |
Costume & Make-Up | Fernando Martínez | Makeup Artist |
Directing | Juan Antonio Arévalo | Script Supervisor |