Matt Ryder is convinced to drive his estranged and dying father Benjamin Ryder cross country to deliver four old rolls of Kodachrome film to the last lab in the world that can develop them before it shuts down for good. Along with Ben's nurse Zooey, the three navigate a world changing from analogue to digital while trying to put the past behind them.
Directing | Mark Raso | Director |
Editing | Geoff Ashenhurst | Editor |
Writing | A.G. Sulzberger | Original Story |
Costume & Make-Up | Diana Irwin | Costume Design |
Writing | Jonathan Tropper | Screenplay |
Production | Shawn Levy | Producer |
Camera | Alan Poon | Director of Photography |
Production | Daniel S. Levine | Producer |
Art | Oleg M. Savytski | Production Design |
Art | Shelley Silverman | Art Direction |
Production | Leon Clarance | Producer |
Sound | Agatha Kaspar | Original Music Composer |
Production | Eric Robinson | Producer |
Production | Jonathan Tropper | Producer |
Production | Ellen Goldsmith-Vein | Producer |
Costume & Make-Up | Catherine Viot | Makeup Department Head |
Production | Mary Anne Waterhouse | Executive Producer |
Production | Mary Anne Waterhouse | Line Producer |
Production | Jo Monk | Executive Producer |
Production | Lisa Wilson | Executive Producer |
Production | Myles Nestel | Executive Producer |
Production | Dan Cohen | Executive Producer |
Art | Joe Susin | Set Decoration |
Costume & Make-Up | Zinka Tuminski | Key Hair Stylist |
Production | Priscilla Galvez | Associate Producer |
Production | Laure Vaysse | Executive Producer |
Production | John Buchan | Casting |
Production | Jason Knight | Casting |
Sound | Chris Piccaro | Music Supervisor |