It's the 1980s in rural Ghana, and Atswei is heavily pregnant and desperate to get to Ateke to deliver her baby. But when she and husband Boi miss the morning train — the only means of transport to the city — the hapless couple are left stranded in the blazing sun with only Boi's boombox for encouragement. A madcap race against time follows in this colorful screwball comedy, with wry but affectionate nods to Ghanaian traditions and gender dynamics.
Production | Peter Sedufia | Producer |
Writing | Peter Sedufia | Writer |
Directing | Peter Sedufia | Director |
Art | Benjamin Osei-Hwedieh | Art Direction |
Art | Emmanuel Quist-Haynes | Art Direction |
Sound | Dennis Appiah-Danquah | Sound Recordist |
Directing | Anny Araba Adams | Script Supervisor |
Sound | Kwame Crentsil | Music |
Lighting | John Dzegle | Gaffer |
Production | Musharafa Alolo | Production Assistant |
Production | Dominic Fenu | Production Assistant |
Production | Manaa Abdallah | Executive Producer |
Costume & Make-Up | Vivian Adjetey | Makeup Artist |
Production | Manaa Abdallah | Production Manager |
Directing | Lawrence Agbetsise | Assistant Director |
Sound | Worlasi | Original Music Composer |
Editing | Peter Sedufia | Editor |
Camera | Dennis Obuobi | Second Assistant Camera |
Camera | Paapa Kwaku Oduro | First Assistant Camera |
Art | Benjamin Osei-Hwedieh | Location Scout |
Editing | Manaa Abdallah | Editor |
Camera | Kelly Doe | Director of Photography |
Editing | Peter Kojo Sampah | Digital Intermediate |
Visual Effects | Comfort Arthur | Animation |
Production | Peter Sedufia | Executive Producer |
Camera | Emmanuel Offei Kwapong | Jimmy Jib Operator |
Art | Emmanuel Quist-Haynes | Location Scout |
Production | Fahima Yunusah | Production Assistant |
Crew | Peter Kojo Sampah | Special Effects |
Camera | Francis Kwapong | Jimmy Jib Operator |
Editing | Peter Kojo Sampah | Colorist |
Visual Effects | Peter Kojo Sampah | Visual Effects |
Production | Simon Quaye | Production Assistant |