The story revolves around the sentimental attachment of a family towards a cot that has been passed through the family for three generations. It has been their family’s companion through their ups and downs for around 250 years and everyone are attached to it emotionally. It has survived as a unperishable common identity link or reference passed from one generation to the next within the family. It was a place for last breadth for some and first breadth for some. Thus, the non living entity becomes a living one among the family members by the memories itched by it in their minds.The screenplay is based on how the antique cot , which the family emotionally revere lose it and how they struggle to recover the same , whether they succeed or lose it forever ,is the question which is answered in the plot.
| Writing | B. Lenin | Screenplay |
| Editing | B. Lenin | Editor |
| Writing | B. Lenin | Story |
| Writing | B. Lenin | Dialogue |
| Crew | Metti oli Santhi | Choreographer |
| Writing | Vairamuthu | Lyricist |
| Writing | Madhan Karky | Lyricist |
| Sound | Srikanth Deva | Original Music Composer |
| Directing | E. V. Ganesh Babu | Director |
| Production | E. V. Ganesh Babu | Producer |
| Crew | AIM Sathish | Public Relations |
| Production | J A Abdul | Publicist |
| Crew | Kadhal Kandhas | Choreographer |
| Camera | Ravi Shankaran | Director of Photography |
| Art | G. Vanitha | Production Design |
| Costume & Make-Up | P. S. Rajendran | Costume Design |
| Camera | P. Krishnamoorthy | Director of Photography |
| Sound | UKI. Ayyapan | Sound Designer |