Joey is a player, a hot-shot movie agent in New York. If a deal can be made, he'll make it. If a rising talent can be snapped up, he'll be the first in line. And when it comes to luring Hollywood in a bidding war for a script nobody's read, Joey is your man. Joey's definitely cruising in the fast lane. Bu there's one thing Joey has never taken the time to do... live. Joey's programmed life is turned topsy-turvy by a series of unexpected events which culminates in a serendipitous romance with a throughly remarkable young Jamaican woman.
| Production | Deborah Aquila | Casting |
| Costume & Make-Up | Jessica Haston | Costume Designer |
| Art | Jocelyne Beaudoin | Production Design |
| Sound | Janet Lund Robbins | Sound Designer |
| Sound | Paul Aston | Original Music Composer |
| Editing | Michael Schweitzer | Editor |
| Camera | Joe DeSalvo | Director of Photography |
| Production | Dolly Hall | Associate Producer |
| Production | Louis Tancredi | Line Producer |
| Production | Amos Poe | Producer |
| Production | Steven Starr | Producer |
| Directing | Steven Starr | Director |
| Writing | Steven Starr | Writer |
| Production | Louis Tancredi | Production Manager |
| Directing | Dolly Hall | First Assistant Director |
| Directing | Rob Hallenbake | Second Assistant Director |
| Production | Ingrid Rudefors | Production Coordinator |
| Production | Christina Larsson | Assistant Production Coordinator |
| Production | Jane Shannon-Smith | Casting Associate |
| Production | Alison Zimet Danese | Casting Associate |
| Production | Kelly Forsythe | Location Manager |
| Production | Carlos Moore | Location Manager |
| Directing | Gretchen Somerfeld | Script Supervisor |
| Directing | Jilly Crook | Second Second Assistant Director |
| Camera | Jeff Muhlstock | Steadicam Operator |
| Camera | Wayne De La Roche | First Assistant Camera |
| Camera | Tracy Litwin | Second Assistant Camera |
| Camera | Robert Ragozzine | Second Assistant Camera |
| Camera | Bart Blaise | Assistant Camera |
| Camera | Hernán Otaño | Camera Trainee |
| Sound | Tom Paul | Sound Mixer |
| Sound | Fontaine Stevens | Boom Operator |
| Sound | Kramer Morgenthal | Boom Operator |
| Art | Noemi Di Corcia | Art Direction |
| Art | Jill Peters | Assistant Art Director |
| Camera | Jill Peters | Still Photographer |
| Art | Guy Pepin | Property Master |
| Crew | Laurie Freedman | Scenic Artist |
| Art | Monica Bretherton | Set Dresser |
| Art | Philip J. Clarke | Set Dresser |
| Costume & Make-Up | Lizzie Gulczynski | Wardrobe Supervisor |
| Costume & Make-Up | Jessica Doyle | Wardrobe Assistant |
| Costume & Make-Up | Chris Laurence | Makeup & Hair |
| Costume & Make-Up | Meredith Soupios | Makeup Artist |
| Production | Annie Prager | Production Executive |
| Crew | Dolly Hall | Post Production Supervisor |
| Production | Tracey Moore | Extras Casting |
| Editing | Elizabeth Bouiss | Assistant Editor |
| Editing | Matt Sazama | Assistant Editor |
| Sound | Janet Lund Robbins | Supervising Sound Editor |
| Sound | Michael Ruschak | Sound Re-Recording Mixer |
| Sound | Regina Mullen | Dialogue Editor |
| Sound | Pamela Bartella | Sound Effects Editor |
| Sound | Ray Palagy | Music Editor |
| Sound | John Purcell | ADR Editor |
| Sound | Frederick Wessler | Foley Artist |
| Sound | David Jaunai | ADR Engineer |
| Sound | Paul Bauer | Apprentice Sound Editor |
| Art | Hillary Younglove | Storyboard Artist |
| Sound | Arden Sampson | Vocal Coach |
| Editing | Dave Pultz | Color Timer |
| Art | Eric Eiser | Title Designer |
| Production | Stanley Lucian | Location Manager |