In 1938, an art collector appeals to eminent archaeologist Dr. Indiana Jones to embark on a search for the Holy Grail. Indy learns that a medieval historian has vanished while searching for it, and the missing man is his own father, Dr. Henry Jones Sr.. He sets out to rescue his father by following clues in the old man's notebook, which his father had mailed to him before he went missing. Indy arrives in Venice, where he enlists the help of a beautiful academic, Dr. Elsa Schneider, along with Marcus Brody and Sallah. Together they must stop the Nazis from recovering the power of eternal life and taking over the world!
Camera | Douglas Slocombe | Director of Photography |
Production | Mike Fenton | Casting |
Writing | Philip Kaufman | Characters |
Writing | Jeffrey Boam | Screenplay |
Production | Maggie Cartier | Casting |
Production | Robert Watts | Producer |
Production | Arthur F. Repola | Producer |
Production | Judy Taylor | Casting |
Writing | George Lucas | Characters |
Editing | Michael Kahn | Editor |
Sound | John Williams | Original Music Composer |
Production | Valorie Massalas | Casting |
Sound | Ben Burtt | Sound Designer |
Production | George Lucas | Executive Producer |
Production | Frank Marshall | Executive Producer |
Directing | Steven Spielberg | Director |
Crew | Nick Gillard | Stunts |
Crew | Mark White | Driver |
Art | Stephen Scott | Art Direction |
Crew | Tip Tipping | Stunts |
Crew | Wayne Toth | Special Effects |
Crew | Vic Armstrong | Stunt Coordinator |
Writing | Menno Meyjes | Story |
Crew | Terry Pritchard | Driver |
Costume & Make-Up | Anthony Powell | Costume Design |
Costume & Make-Up | Robert L. Stevenson | Hairstylist |
Camera | Paul Beeson | Additional Photography |
Costume & Make-Up | Zoltan Elek | Makeup Artist |
Crew | Russell McEntyre | Transportation Captain |
Costume & Make-Up | Joanna Johnston | Costume Design |
Crew | Michael Gleason | Visual Effects Editor |
Sound | Sandina Bailo-Lape | Sound Effects Editor |
Production | Melissa Taylor | Production Coordinator |
Visual Effects | David H. Watkins | Special Effects Supervisor |
Visual Effects | Joss Williams | Special Effects Supervisor |
Crew | Jim Dowdall | Stunts |
Camera | Gene Kearney | Grip |
Sound | E. Larry Oatfield | Sound Editor |
Crew | Steve Kelso | Stunts |
Art | Julián Mateos | Set Decoration |
Directing | Artist W. Robinson | Assistant Director |
Art | Peter Howitt | Set Decoration |
Production | Michele Tandy | Production Accountant |
Writing | George Lucas | Story |
Camera | Tony Cridlin | Grip |
Crew | Eddie Powell | Stunts |
Sound | Richard Hymns | Sound Effects Editor |
Production | Elliot Scott | Production Designer |
Crew | Steven Lambert | Stunt Double |
Crew | Steven Lambert | Stunts |
Directing | Frank Marshall | Second Unit Director |
Directing | Michael D. Moore | Second Unit Director |
Production | Arthur F. Repola | Associate Producer |
Directing | David Tomblin | First Assistant Director |
Production | Patricia Carr | Production Supervisor |
Production | Roy Button | Production Manager |
Directing | Lee Cleary | Second Assistant Director |
Directing | Patrick Kinney | Second Assistant Director |
Production | Joan Bradshaw | Production Manager |
Production | Ian Bryce | Production Manager |
Directing | Dennis Maguire | First Assistant Director |
Directing | Artist W. Robinson | Second Assistant Director |
Crew | Freddie Hice | Stunts |
Art | Elliot Scott | Production Design |
Writing | Tom Stoppard | Dialogue |
Sound | Addison Teague | Sound Effects Editor |