When a successful television writer's daughter becomes the interest of an aging filmmaker with an appalling past, he becomes worried about how to handle the situation.
| Directing | Louis C.K. | Director |
| Writing | Louis C.K. | Writer |
| Editing | Louis C.K. | Editor |
| Art | Amy Beth Silver | Production Design |
| Art | Peter Scheck | Leadman |
| Crew | Andreia Alves da Silva | Stunts |
| Writing | Vernon Chatman | Story |
| Directing | Jeremy Mohler | Second Assistant Director |
| Sound | Bill Orrico | Dialogue Editor |
| Sound | Wyatt Tuzo | Sound Mixer |
| Production | John Skidmore | Producer |
| Writing | Louis C.K. | Story |
| Production | Tony Hernandez | Executive Producer |
| Production | Gayle Keller | Casting |
| Art | Matt Amenta | Property Master |
| Production | Vernon Chatman | Producer |
| Costume & Make-Up | Emily Gunshor | Costume Design |
| Production | Dave Becky | Producer |
| Sound | Alfred DeGrand | Assistant Sound Editor |
| Directing | Nick Vanderpool | Second Assistant Director |
| Production | Louis C.K. | Producer |
| Sound | Wen Hsuan Tseng | Foley Editor |
| Sound | Zachary Seman | Music |
| Art | Graham Wichman | Set Decoration |
| Costume & Make-Up | Jackie Zbuska | Makeup Department Head |
| Sound | Shaun Brennan | Foley |
| Sound | Lewis Goldstein | Supervising Sound Editor |
| Production | Ryan Cunningham | Producer |
| Art | Kat Uhlmansiek | Art Direction |
| Directing | Adam Escott | First Assistant Director |
| Sound | Robert Miller | Music |
| Production | Kelsie Kiley | Associate Producer |
| Sound | Alex Soto | Sound Effects Editor |
| Camera | Paul Koestner | Director of Photography |