In 1966, Helen Reddy landed in New York with her three year old daughter, a suitcase, and $230 in her pocket. Within weeks, she was broke. Within months, she was in love. Within five years, she was one of the biggest superstars of her time and an icon of the 1970s feminist movement who wrote a song which galvanized a generation of women to fight for change.
Directing | Unjoo Moon | Director |
Camera | Dion Beebe | Director of Photography |
Production | Unjoo Moon | Producer |
Production | Rosemary Blight | Producer |
Production | Sharon Harel-Cohen | Executive Producer |
Production | Cass O'Connor | Executive Producer |
Production | Ben Grant | Executive Producer |
Production | Maya Amsellem | Executive Producer |
Editing | Dany Cooper | Editor |
Production | Marcus Bolton | Executive Producer |
Sound | Rafael May | Original Music Composer |
Production | Kylie du Fresne | Executive Producer |
Production | Tracey Mair | Executive Producer |
Art | Michael Turner | Production Design |
Costume & Make-Up | Emily Seresin | Costume Design |
Writing | Emma Jensen | Screenplay |
Art | Marianne Evans | Art Direction |
Art | Peter 'Babylon' Owens | Art Direction |
Art | Richie Dehne | Set Decoration |
Art | Laetitia Gangotena | Set Decoration |
Sound | Robert Mackenzie | Sound Designer |
Art | Aaron Healey | Swing |
Art | Colin Dunn | Swing |
Camera | John Balbi | Key Grip |
Camera | Hilary Crombie | Second Assistant "A" Camera |
Lighting | Steve Daley | Gaffer |
Camera | Michael Easter | Digital Imaging Technician |
Camera | Sally Eccleston | First Assistant "B" Camera |
Camera | Jake Iesu | Steadicam Operator |
Camera | Jonas Juhanson | Dolly Grip |
Camera | Khoa Le | Second Assistant "B" Camera |
Camera | Scott Parsons | Best Boy Grip |
Camera | Ricky Schamburg | First Assistant "A" Camera |
Camera | Velinda Wardell | "B" Camera Operator |