Contemporary film critics regard the epic film I Am Cuba as a modern masterpiece. The 1964 Cuban/Soviet coproduction marked a watershed moment of cultural collaboration between two nations. Yet the film never found a mass audience, languishing for decades until its reintroduction as a "classic" in the 1990s. Vicente Ferraz explores the strange history of this cinematic tour de force, and the deeper meaning for those who participated in its creation.
| Editing | Dull Janiel | Editor |
| Production | Leonardo Edde | Co-Producer |
| Crew | Tareq Daoud | Cinematography |
| Editing | Mair Tavares | Editor |
| Sound | César Fernández Ardavín | Sound Editor |
| Sound | Jenny Padrón | Music |
| Production | Isabel Martinez | Executive Producer |
| Crew | Vicente Ferraz | Cinematography |
| Directing | Vicente Ferraz | Director |
| Writing | Vicente Ferraz | Writer |