In Sarajevo, in a cinema’s projection booth, lives Sena; a woman who in daily solitude repeats the projection of the few Yugoslavian films of which there are copies. Through a combination of silence, the everyday gestures of this woman and the films that are projected from her living room, comes a film built like a day in Sena’s life. Through the films that Sena projects, we are taken on a journey in both collective and personal memory. The film offers a portrait of intimacy crossed with a history witnessed by cinema; a history which Sena has conserved.
| Directing | André Gil Mata | Director |
| Writing | André Gil Mata | Writer |
| Camera | André Gil Mata | Director of Photography |
| Editing | Tomás Baltazar | Editor |
| Sound | Pedro Augusto | Sound Editor |
| Visual Effects | David Doutel | Visual Effects |
| Production | Kumjana Novakova | Producer |
| Production | Joana Ferreira | Producer |
| Production | Isabel Machado | Producer |
| Crew | Pedro Costa | Thanks |
| Crew | Jonathan Rosenbaum | Thanks |
| Crew | Branko Neškov | Thanks |
| Crew | Manuel Mozos | Thanks |
