A tough kid comes to a new high school and begins muscling his way into the drug scene. This is a typical morality play of the era, filled with a naive view of drugs, nihilistic beat poetry, and some incredible '50s slang.
| Writing | Robert Blees | Story |
| Writing | Robert Blees | Screenplay |
| Directing | Jack Arnold | Director |
| Art | Henry Grace | Set Decoration |
| Art | Hans Peters | Art Direction |
| Sound | Albert Glasser | Original Music Composer |
| Art | Arthur Krams | Set Decoration |
| Camera | Harold J. Marzorati | Director of Photography |
| Art | William A. Horning | Art Direction |
| Production | Albert Zugsmith | Producer |
| Editing | Ben Lewis | Editor |
| Writing | Texas Joe Foster | Story |
| Writing | Lewis Meltzer | Screenplay |
| Costume & Make-Up | John Truwe | Makeup Artist |
| Costume & Make-Up | William Tuttle | Makeup Artist |
| Production | Dave Friedman | Production Manager |
| Directing | Joseph E. Kenney | Assistant Director |
| Sound | Wesley C. Miller | Recording Supervision |
| Sound | Chip Gaither | Sound |
| Crew | Dick Crockett | Stunt Double |
| Crew | Loren Janes | Stunts |
| Crew | Regis Parton | Stunts |
