A story of a mother's assumed last day alive, in which she reacts to a bout of post-menopausal bleeding by preparing her own burial, all while hiding from her daughter's suspicions.
| Lighting | Yashia Burrell | Gaffer |
| Crew | Travis Fairman | Generator Operator |
| Production | Katarina Docalovich | Producer |
| Crew | Tyra Forbes | Loader |
| Lighting | Miah Domel | Best Boy Electric |
| Editing | Colin Earner | Editor |
| Editing | Colin Earner | Colorist |
| Sound | Mikey Spaziani | Foley Artist |
| Writing | Sam LaBella | Writer |
| Crew | Mary Conklin | Craft Service |
| Camera | Tyra Forbes | Second Assistant "A" Camera |
| Editing | Sam LaBella | Editor |
| Sound | Seddik Niazi | Foley Artist |
| Camera | Byron Korenteng | Still Photographer |
| Sound | Mikey Spaziani | Boom Operator |
| Sound | Jack Bailey | Sound Assistant |
| Editing | Brandon Miller | Editorial Production Assistant |
| Camera | Ellen Rank | Key Grip |
| Directing | Sam LaBella | Director |
| Directing | Jonathan Pinera | Second Assistant Director |
| Crew | Eli Therriault | Craft Service |
| Crew | Patrick Pankratz | Score Engineer |
| Art | Jonah Guy | Production Design |
| Art | Ryan Henderson | Art Direction |
| Costume & Make-Up | Claire Whitlow | Wardrobe Designer |
| Art | Molly Stewart | Art Department Assistant |
| Sound | Andrew Pickup | Sound Mixer |
| Production | Virginia Bertholet | Executive Producer |
| Camera | Colin Earner | Director of Photography |
| Camera | Colin Earner | Camera Operator |
| Directing | Mackenzie Nolan | First Assistant Director |
| Directing | Katie Kemp | Script Supervisor |
| Camera | Jordan Stossel | First Assistant "A" Camera |
| Camera | Travis Fairman | Dolly Grip |
| Camera | Liz Bunce | Best Boy Grip |
