The film covers the conflict between a father and his son both being musicians. The father is the leader of a band making rock-music from the 60s but his son becomes a star of techno-pop music.
| Directing | Pino Amenta | Director |
| Writing | Frank Howson | Writer |
| Production | Frank Howson | Producer |
| Production | Gregory Apps | Casting |
| Camera | David Connell | Director of Photography |
| Art | Bernadette Wynack | Art Direction |
| Sound | John Capek | Music |
| Editing | Philip Reid | Editor |
| Production | Peter Boyle | Executive Producer |
| Directing | Jenni Tosi | Script Supervisor |
| Production | Deborah Samuels | Production Coordinator |
| Production | John Suhr | Location Manager |
| Art | Oliver Streeton | Title Designer |
| Crew | Arch Roberts | Stunt Coordinator |
| Visual Effects | Roger Cowland | Visual Effects |
| Sound | Livia Ruzic | Dialogue Editor |
| Sound | Phil Heywood | Sound Re-Recording Mixer |
| Sound | Andrew Ramage | Sound Recordist |
| Sound | James Currie | Sound Mixer |
| Sound | Craig Carter | Sound Editor |
| Directing | John Powditch | First Assistant Director |
| Costume & Make-Up | Pam Murphy | Hairstylist |
| Costume & Make-Up | Amanda Rowbottom | Makeup Artist |
| Production | Colin Robertson | Unit Manager |
| Art | Daryl Porter | Art Department Coordinator |
| Directing | Brett Popplewell | Second Assistant Director |
| Costume & Make-Up | Jeanie Cameron | Costume Designer |
