The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.
| Directing | Jérôme Korkikian | Director |
| Writing | Jérôme Korkikian | Writer |
| Camera | Jean-Yves Charpin | Director of Photography |
| Camera | Guillaume Tunzini | Director of Photography |
| Sound | Hervé Dichampt | Sound |
| Sound | Olivier Virmont | Sound |
| Editing | Olivier Korkikian | Editor |
| Sound | Guy Charron | Sound Mixer |
| Editing | Arnaud Lambert | Color Grading |
| Production | Alexandre Bouchard | Production Director |
| Production | Andrea Prokesova | Researcher |
| Sound | Maximilien Mathevon | Original Music Composer |
| Production | Heike Lettau | Producer |
| Production | Yvette Durrenberger | Producer |
| Crew | Radia Bouzid | Post Production Supervisor |
| Crew | Romain Debord | Post Production Supervisor |
| Production | Ava Santoni | Production Assistant |
