A silent fisherman in Texas, a blazing oil field in North Dakota, a mysterious community in Virginia, a women’s prison in Oregon, and a modernist home in California are the ostensible subjects of Austin Lynch and Matthew Booth’s new feature, GRAY HOUSE. But as meditations upon nature, isolation, decadence, and destitution, they are flawless conduits for seamless blends of documentary and narrative form, and stunning explorations of sound, image, and cinematic time. Mysterious and elusive, yet possessing an aesthetic and sensory unity (appearances by Denis Lavant, Aurore Clément, and Dianna Molzan mix with direct addresses from real-life laborers and inmates), GRAY HOUSE quietly recalibrates one’s sense of the world and our place within it.
| Directing | Matthew Booth | Director |
| Production | Jeremy Alter | Producer |
| Directing | Austin Jack Lynch | Director |
| Production | Austin Jack Lynch | Producer |
| Production | Elda Bravo | Producer |
| Production | Jake Graham-Felsen | Producer |
| Production | Sabrina S. Sutherland | Producer |
| Writing | Austin Jack Lynch | Writer |
| Sound | Alvin Lucier | Original Music Composer |
| Camera | Matthew Booth | Director of Photography |
| Production | Don Hollingshead | Associate Producer |
| Production | Jonny Leahan | Associate Producer |
| Production | Gina Ronhovde | Associate Producer |
| Production | Dominique Vandenberg | Executive Producer |