The film is divided into two distinct stories with the same setting: the back-stage of the Moscow Operetta theater with the Can-Can metaphor which is a high-energy and physically demanding dance. Human relationships, betrayals, and the relationship between parents and children are the same common denominator found in the two parts of the film.
| Directing | Mikhail Kosyrev-Nesterov | Director |
| Writing | Mikhail Kosyrev-Nesterov | Writer |