In 1863, Mississippi farmer Newt Knight serves as a medic for the Confederate Army. Opposed to slavery, Knight would rather help the wounded than fight the Union. After his nephew dies in battle, Newt returns home to Jones County to safeguard his family but is soon branded an outlaw deserter. Forced to flee, he finds refuge with a group of runaway slaves hiding out in the swamps. Forging an alliance with the slaves and other farmers, Knight leads a rebellion that would forever change history.
Production | Debra Zane | Casting |
Art | Philip Messina | Production Design |
Costume & Make-Up | Louise Frogley | Costume Design |
Editing | Juliette Welfling | Editor |
Production | Jon Kilik | Producer |
Art | Dan Webster | Supervising Art Director |
Editing | Pamela Martin | Editor |
Camera | Benoît Delhomme | Director of Photography |
Production | Scott Stuber | Producer |
Art | Larry Dias | Set Decoration |
Directing | Gary Ross | Director |
Production | Gary Ross | Producer |
Writing | Gary Ross | Writer |
Art | Andrew Max Cahn | Art Direction |
Sound | Paul Hsu | Supervising Sound Editor |
Sound | Paul Hsu | Sound Re-Recording Mixer |
Sound | Marko Costanzo | Foley |
Costume & Make-Up | Nikoletta Skarlatos | Makeup Department Head |
Costume & Make-Up | Meagan McLaughlin | Assistant Costume Designer |
Sound | Eric Milano | Foley |
Crew | Gershon Hinkson | Visual Effects Editor |
Costume & Make-Up | Kris Evans | Makeup Artist |
Camera | Jerry M. Jacob | Camera Operator |
Crew | Jerry M. Jacob | Second Unit Cinematographer |
Camera | Michael Watson | Additional Camera |
Costume & Make-Up | Felicity Bowring | Hairstylist |
Production | Meagan Lewis | Casting |
Sound | John Finklea | Music Editor |
Art | Randall D. Wilkins | Set Designer |
Camera | Murray Close | Still Photographer |
Sound | Mike Prestwood Smith | Sound Re-Recording Mixer |
Crew | David K. Nami | Special Effects Coordinator |
Costume & Make-Up | Jules Holdren | Hair Department Head |
Costume & Make-Up | Melizah Anguiano Wheat | Key Hair Stylist |
Costume & Make-Up | Adriane Bennett | Set Costumer |
Costume & Make-Up | Carlane Passman | Costume Supervisor |
Visual Effects | Lisa Beroud | Visual Effects Producer |
Costume & Make-Up | Theraesa Rivers | Key Hair Stylist |
Camera | Greg Morris | Additional Camera |
Costume & Make-Up | Tom Cummins | Set Costumer |
Art | Wylie Griffin | Art Department Coordinator |
Sound | Branka Mrkic | Supervising ADR Editor |
Sound | Branka Mrkic | Supervising Dialogue Editor |
Visual Effects | Kelly Port | Visual Effects Supervisor |
Costume & Make-Up | Lisa Magee | Set Costumer |
Costume & Make-Up | Khanh Trance | Wigmaker |
Art | Chris Craine | Art Direction |
Lighting | Bob Bates | Gaffer |
Sound | Nicholas Britell | Original Music Composer |
Camera | Bela Trutz | Steadicam Operator |
Visual Effects | Teresa Berus | Visual Effects Coordinator |
Visual Effects | Nikos Kalaitzidis | Visual Effects Supervisor |
Costume & Make-Up | Parrish Kennington | Set Costumer |
Crew | Danny Singh | Visual Effects Editor |
Sound | Dave Flynch | Foley |
Production | Dylan Jury | Casting Associate |
Writing | Leonard Hartman | Story |
Production | Dawn Jefferson | Casting Associate |
Directing | Sam Sullivan | Script Supervisor |
Crew | Virle S. Reid | Armorer |
Sound | Jason Markey | Music Supervisor |
Costume & Make-Up | Timothy A. Wonsik | Assistant Costume Designer |
Costume & Make-Up | Amy Darden Amos | Seamstress |
Costume & Make-Up | Tracey Millar | Set Costumer |
Lighting | Vic Keatley | Rigging Gaffer |
Visual Effects | Naline Amaral | Visual Effects Coordinator |
Visual Effects | Henry Wan | Visual Effects Coordinator |
Crew | Craig Sheppard | Visual Effects Editor |
Visual Effects | Jenne Guerra | Visual Effects Producer |
Sound | David Levy | ADR & Dubbing |
Crew | Lee Salevan | Sound Recordist |
Editing | Peter Boychuk | Digital Intermediate |
Editing | Staci Pontius | First Assistant Editor |