A variation on paroptic vision (the ability to see with the skin, without the aid of the eyes), telepathy, colour theory and the theremin. The various sequences introduce the hypothesis of an imaginary cinema. The film is presented as a series of rushes, suggesting an unfinished film in progress.
| Directing | Érik Bullot | Director |
| Art | Arnaud Deshayes | Assistant Art Director |
| Camera | Éva Sehet | Director of Photography |
| Art | Emmanuelle Gary | Assistant Director of Photography |
| Sound | Marc Parazon | Sound |
| Editing | Arnaud Deshayes | Editor |
| Crew | Mikaël Barre | Mixing Engineer |
| Editing | Julia Mingo | Color Grading |
| Sound | Frédéric Chopin | Music |
| Sound | François Sales | Music |