Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.
Directing | Shirley Clarke | Director |
Sound | Morton Subotnick | Music |
Crew | David Cort | Special Effects |
Production | David Cort | Producer |
Costume & Make-Up | Charles Berliner | Costume Design |
Crew | Marion Scott | Choreographer |
Camera | Steve Conant | Camera Operator |
Crew | Gar Davidson | Carpenter |
Directing | Sam Jones | Stage Director |
Costume & Make-Up | Barbara Mattingly | Wardrobe Master |
Production | Jean Mansour | Production Assistant |
Production | Piper Johnson Cort | Production Assistant |
Production | Ginnie Newsom | Production Assistant |
Lighting | Doris Einstein Siegel | Lighting Design |
Camera | MacKenzie Waggaman | Assistant Camera |