Paralysed from the waist down after a car crash, Julie Hill struggles to get used to her disability and to save her marriage. It looks as if her husband will leave her. Then doctors try a revolutionary treatment which feeds electrical impulses to her leg muscles - allowing her to ride a bicycle once again and so go out for bike rides with her family. Her marriage survives and she and her husband end up closer together than before.
| Directing | Richard Spence | Director |
| Writing | Nigel Williams | Writer |
| Production | Mark Bentley | Producer |
| Production | Nicolas Kent | Executive Producer |
| Production | Rupert Ryle-Hodges | Line Producer |
| Sound | Stephen McKeon | Original Music Composer |
| Camera | David Odd | Director of Photography |
| Editing | Andrew McClelland | Editor |
| Production | Carrie Hilton | Casting |
| Art | Jonathan Lee | Production Design |
| Art | Michael Kelm | Art Direction |
| Costume & Make-Up | Ralph Wheeler-Holes | Costume Design |
| Costume & Make-Up | Kay Bilk | Makeup Artist |
| Costume & Make-Up | Christine Walmesley-Cotham | Hair Designer |
| Crew | Sarah Franzl | Stunts |
| Crew | Steve Griffin | Stunts |
| Crew | Tina Maskell | Stunts |
| Crew | Seon Rogers | Stunts |
| Crew | Lee Sheward | Stunt Coordinator |
| Directing | Richard Styles | First Assistant Director |
| Directing | Carlos Fidel | Second Assistant Director |
| Directing | Susan Drennan | Third Assistant Director |
| Directing | Cathy Doubleday | Script Supervisor |
| Sound | Khama Matiti | ADR Mixer |
| Sound | Ben Norrington | Supervising Sound Editor |
| Sound | Kallis Shamaris | Sound Editor |
| Sound | Andrew Sissons | Sound Mixer |
| Lighting | Chris Knoll | Electrician |
| Camera | Chris Samsworth | Second Assistant Camera |
