Based on the literary classic by Thomas Hardy. Bathsheba Everdene, attracts three very different suitors: Gabriel Oak, a sheep farmer, captivated by her fetching willfulness; Frank Troy, a handsome and reckless Sergeant; and William Boldwood, a prosperous and mature bachelor. This timeless story of Bathsheba's choices and passions explores the nature of relationships and love – as well as the human ability to overcome hardships through resilience and perseverance.
You can now watch Far from the Madding Crowd online on the following streaming providers in the United States.
| Crew | Paul Harris | Choreographer |
| Production | Allon Reich | Producer |
| Editing | Claire Simpson | Editor |
| Art | Tim Blake | Art Direction |
| Production | Andrew Macdonald | Producer |
| Art | Niamh Coulter | Set Decoration |
| Production | Nina Gold | Casting |
| Directing | Thomas Vinterberg | Director |
| Art | Kave Quinn | Production Design |
| Writing | Thomas Hardy | Novel |
| Costume & Make-Up | Janet Patterson | Costume Design |
| Art | Hannah Moseley | Art Direction |
| Camera | Charlotte Bruus Christensen | Director of Photography |
| Writing | David Nicholls | Screenplay |
| Costume & Make-Up | Belinda Parish | Makeup Artist |
| Costume & Make-Up | Amanda Brothwell | Seamstress |
| Costume & Make-Up | Sian Grigg | Makeup Department Head |
| Production | Nicola Barnes | Researcher |
| Editing | Gwillym Hewetson | First Assistant Editor |
| Production | Theo Park | Casting |
| Directing | San Davey | Script Supervisor |
| Sound | Eilam Hoffman | Sound Effects Editor |
| Costume & Make-Up | Tracy Smith | Key Hair Stylist |
| Sound | Niv Adiri | Sound Re-Recording Mixer |
| Visual Effects | Mitch Crease | VFX Artist |
| Visual Effects | Finola O'Brien | Visual Effects Coordinator |
| Sound | Michael Connell | Music Editor |
| Editing | Cheryl Goodbody | Digital Intermediate |
| Editing | Jamie Turpin | First Assistant Editor |
| Crew | Charles Bodycomb | Armorer |
| Costume & Make-Up | Elizabeth Farrer | Seamstress |
| Crew | Julia Castle | Supervising Art Director |
| Art | Katie Money | Art Department Assistant |
| Sound | Glenn Freemantle | Sound Designer |
| Sound | Niv Adiri | Sound Effects Editor |
| Sound | Glenn Freemantle | Supervising Sound Editor |
| Lighting | Alex Scott | Gaffer |
| Camera | Alex Bailey | Still Photographer |
| Sound | Dillon Bennett | Sound Editor |
| Sound | Ian Tapp | Sound Re-Recording Mixer |
| Sound | Yann McCullough | Music Editor |
| Crew | Simon Neville | Armorer |
| Costume & Make-Up | Elizabeth Healy | Costume Supervisor |
| Visual Effects | Mark Holt | Special Effects Supervisor |
| Art | Matt Curtis | Title Designer |
| Art | Julia Castle | Art Direction |
| Costume & Make-Up | Charlotte Rogers | Makeup Artist |
| Sound | Linda Brenon | Foley Editor |
| Costume & Make-Up | Sam Bear | Makeup Artist |
| Production | Alex Gladstone | Location Manager |
| Sound | Stephane Malenfant | Boom Operator |
| Costume & Make-Up | Sharon Nicholas | Makeup Artist |
| Costume & Make-Up | Jutta Russell | Makeup Artist |
| Costume & Make-Up | Victoria Pocock | Makeup Artist |
| Costume & Make-Up | Ray Marston | Wigmaker |
| Camera | Anders Holck Peterson | Steadicam Operator |
| Production | Victoria Zalin | Production Coordinator |
| Art | Scott Keery | Property Master |
| Sound | Ben Barker | Sound Designer |
| Lighting | Richard George Robert Scott | Lighting Technician |
| Costume & Make-Up | Tilly Calder | Makeup Artist |
| Crew | Neil Swain | Dialect Coach |
| Directing | Martin Curry | First Assistant Director |
| Visual Effects | Noga Alon Stein | Visual Effects Producer |
| Crew | Julian Spencer | Stunt Coordinator |
| Costume & Make-Up | Sarah Tapscott | Costume Assistant |
| Sound | Emilie O'Connor | ADR Editor |
| Sound | Craig Armstrong | Original Music Composer |
| Sound | Peter Burgis | Foley Artist |
| Sound | Emilie O'Connor | Dialogue Editor |
| Crew | Zarene Dallas | Stunt Double |
| Crew | Stephen Rutherford | Stunt Double |
