A cynical Australian Vietnam War veteran runs a sleazy bar in the Philippines. His old flame enters his life again asking for help when her husband, an investigative journalist, is prosecuted by the junta for discovering too much.
| Directing | John Duigan | Director |
| Writing | John Duigan | Writer |
| Editing | Henry Dangar | Editor |
| Production | Richard Mason | Producer |
| Camera | Brian Probyn | Director of Photography |
| Costume & Make-Up | Jan Hurley | Costume Design |
| Production | John Mason | Associate Producer |
| Art | Ross Major | Production Design |
| Sound | Sharon Calcraft | Original Music Composer |
| Art | Igor Nay | Art Direction |
| Camera | Russell Bacon | Additional Photography |
| Camera | Ray Brown | Key Grip |
| Camera | Colin Deane | Clapper Loader |
| Camera | Andre Fleuren | Focus Puller |
| Camera | Carolyn Johns | Still Photographer |
| Lighting | Warren Mearns | Gaffer |
| Lighting | Geoff Maine | Electrician |
| Lighting | Stephen Deane | Electrician |
| Lighting | Alleyn Mearns | Best Boy Electric |
| Camera | Peter Moss | Camera Operator |
| Lighting | Peter Moyes | Electrician |
| Camera | Steve Newman | Additional Photography |
| Camera | David Parker | Still Photographer |
| Directing | Michael Falloon | First Assistant Director |
| Directing | Sabina Wynn | Second Assistant Director |
| Directing | Gerald Bostock | Third Assistant Director |
| Visual Effects | Roger Cowland | Visual Effects |
| Production | Mitch Mathews | Casting Director |