Great Britain, 1944, during World War II. Relentlessly pursued by several MI5 agents, Henry Faber the Needle, a ruthless German spy in possession of vital information about D-Day, takes refuge on Storm Island, an inhospitable, sparsely inhabited island off the coast of northern Scotland.
Camera | Alan Hume | Director of Photography |
Writing | Stanley Mann | Screenplay |
Sound | Miklós Rózsa | Original Music Composer |
Directing | Richard Marquand | Director |
Writing | Ken Follett | Novel |
Art | John Hoesli | Art Direction |
Art | Wilfred Shingleton | Production Design |
Production | Stephen J. Friedman | Producer |
Art | Hugh Scaife | Set Decoration |
Art | Bert Davey | Art Direction |
Editing | Sean Barton | Editor |
Crew | Jennifer Patrick | Dialogue Coach |
Production | Claude Hudson | Production Supervisor |
Production | John Comfort | Production Manager |
Directing | Roger Simons | Assistant Director |
Camera | Alec Mills | Camera Operator |
Camera | Mike Frift | Focus Puller |
Sound | Claude Hitchcock | Sound Recordist |
Sound | Gerry Humphreys | Sound Re-Recording Mixer |
Costume & Make-Up | John Bloomfield | Costume Designer |
Production | Celestia Fox | Casting Director |
Directing | Anthony Squire | Second Unit Director |
Crew | Jack Lowin | Second Unit Cinematographer |
Costume & Make-Up | Wally Schneiderman | Makeup Artist |
Costume & Make-Up | Beryl Lerman | Makeup Artist |
Costume & Make-Up | Mark Nelson | Hairstylist |
Costume & Make-Up | Joan Carpenter | Hairstylist |
Visual Effects | George Gibbs | Special Effects Supervisor |
Directing | Angela Allen | Continuity |
Directing | Valerie Booth | Continuity |
Crew | Eddie Stacey | Stunt Coordinator |
Camera | David Farrell | Still Photographer |
Editing | Nick Hosker | Assistant Editor |
Art | Ken Pattenden | Construction Manager |
Art | Ken Softley | Construction Manager |
Production | William Lang | Location Manager |
Production | Lee Bolon | Location Manager |
Lighting | Bob Bremner | Gaffer |