The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge
| Directing | Katja Wik | Director |
| Production | Katja Wik | Casting |
| Sound | Petter Utbult | Music |
| Costume & Make-Up | Pia Aleborg | Costume Designer |
| Art | Fianna Robijn | Set Dresser |
| Sound | Gustaf Berger | Supervising Sound Editor |
| Sound | Markus Johansson | Boom Operator |
| Visual Effects | Jon Eriksson Aspeheim | Visual Effects |
| Production | Mattias Ek | Production Manager |
| Sound | Emil Andersson | Boom Operator |
| Crew | Marie Kjellson | Post Production Supervisor |
| Production | Marie Kjellson | Producer |
| Directing | Anna Lebar Sanders | First Assistant Director |
| Sound | Robert Leib | Sound |
| Visual Effects | Hector Mora | Visual Effects |
| Production | Simon Perry | Associate Producer |
| Sound | Eric Guslén | Sound |
| Writing | Katja Wik | Writer |
| Directing | Iza Boëthius | Assistant Director |
| Directing | Mattias Ek | First Assistant Director |
| Sound | Henrik Sunnåker | Foley Artist |
| Sound | Lars Wignell | Sound Editor |
| Camera | Daniel Takács | Director of Photography |
| Camera | Nokokure Horst Zaire | Director of Photography |
| Camera | Martin Top Jacobsen | Director of Photography |