A forensic investigator begins to suspect her new husband is the serial killer the police department has been hunting. This puts her and her ex-boyfriend -- a detective on the case -- in danger.
| Editing | Mauri Bernstein | Editor |
| Production | Donald Paul Pemrick | Casting |
| Writing | Roslyn Muir | Writer |
| Production | Mel Weisbaum | Line Producer |
| Directing | Paula Bonucchi | Script Supervisor |
| Directing | Jesse James Miller | Director |
| Sound | Tyler Kathrens | Boom Operator |
| Production | Terry Hayes | Location Manager |
| Production | Steven Merk | Production Coordinator |
| Production | Dean E. Fronk | Casting |
| Art | Sal Awad | Set Decoration |
| Art | Jason Cameron | Set Designer |
| Crew | Jon Funk | Stunt Coordinator |
| Sound | Karla Melendez | Dialogue Editor |
| Visual Effects | Morgan Giroux | Visual Effects Coordinator |
| Camera | Yves Bernadet | Camera Operator |
| Lighting | Veronika Kurz | Best Boy Electric |
| Lighting | Richard MacDonald | Gaffer |
| Costume & Make-Up | Rebekah Bak | Key Makeup Artist |
| Art | Mike Warren | Property Master |
| Camera | Chris Helcermanas-Benge | Still Photographer |
| Production | Alexandra Julson | Producer |
| Production | Kirk Shaw | Producer |
| Art | Michael Ritter | Art Direction |
| Sound | Don Mann | Sound Effects Editor |
| Sound | Aaron Olson | Dialogue Editor |
| Sound | Gregor Phillips | Supervising Sound Editor |
| Camera | Andy Capicik | Camera Operator |
| Camera | Curtis Peterson | Director of Photography |
| Editing | Shannon Zawartka | First Assistant Editor |
| Sound | Paul Michael Thomas | Original Music Composer |
| Costume & Make-Up | Lux Petrova | Costume Design |
| Costume & Make-Up | Gila Bois | Key Hair Stylist |
| Sound | Emmet Falconer | Boom Operator |
| Production | Edward D. Rea | Casting |
